Sherlock Holmes Reborn Again

This column was originally published in the Central Western Daily on Tuesday 26th October 2010.

Sherlock, the extremely enjoyable mini-series which aired over the past two weeks, is a modern adaption of Sherlock Holmes produced by the BBC. Starring Benedict Cumberbatch (Atonement) as the Great Detective and Martin Freedman (The Hitchhiker’s Guide to the Galaxy and The Office) as Dr John Watson, the three part series brings Arthur Conan Doyle’s characters to modern London, solving mysteries based on classic Holmes stories.

Cumberbatch’s portrayal of the eccentric genius, who solves brainbusting crime puzzles by deduction, is certainly a memorable one, but with a very long list of actors who have played Holmes, it is very hard to pick a favourite.

Not surprisingly, the character of Sherlock Holmes holds the record for the most portrayed film character with an amazing seventy five actors putting on the deerstalker cap over two hundred and eleven movies.

One of my favourite films in the eighties was Young Sherlock Holmes, produced by Steven Spielberg from a script by Christopher Columbus (Home Alone) and directed by Barry Levinson (Rain Man). The film centres of Holmes and Watson meeting as youths at boarding school. Starring Nicholas Rowe (Lock, Stock and Two Smoking Barrels) as the title character and Alan Cox (Ladies in Lavender) as Watson, the movie is a little scary for kids and features the first CGI character ever, a supernatural knight who forms from shards of a stained glass window.

Jeremy Brett (My Fair Lady) starred as Holmes from 1984 to 1994 in the British TV series The Adventures of Sherlock Holmes. With his sharp, angular features, Brett’s portrayal is widely regarded as the best of his era. Brett was fully committed to his role and compiled a seventy seven page book, The Baker Street Files, which contained every possible detail about Holmes. He carried this book around on set to check every nuance before the cameras started rolling.

Basil Rathbone starred as Sherlock in fourteen movies from 1939 to 1946, opposite Nigel Bruce as Watson. These films firmly cemented the costumed Sherlock Holmes character, with his deerstalker cap and Inverness cape, in popular culture.  Rathbone had problems with typecasting after the films ended, but eventually went on to play Holmes in radio plays and on stage.

Last year, the character of Holmes returned to the big screen with Robert Downey Jr. (Iron Man) in the title role and Jude Law (Cold Mountain) as his faithful friend. Directed by Guy Ritchie (RocknRolla), the film recreates Holmes as an action hero, with fist fights and explosions galore. It was a big box office success and will be followed up by a sequel next year.

I would have to say that my all-time favourite Sherlock Holmes is an animated one. Basil the Great Mouse Detective was a Disney animated film from 1986, and centres around a society of rats and mice living in Victorian London. Featuring the music of Henry Mancini and the voice of Vincent Price, the film is packed with classic hand drawn Disney cartoon goodness, with the title character names in honour of Basil Rathbone.

It seems that some iconic characters never die, they just get recast and readapted.

Published in: on November 9, 2010 at 07:31  Leave a Comment  
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Junior Masterchef: kids in the kitchen

This column was originally published in the Central Western Daily on Tuesday 14th September.

Sunday night saw the debut of Junior Masterchef, a retread of the successful Masterchef format, but this time with kids. I must admit to becoming addicted to the original series. Whilst I have never really enjoyed cooking programs, there was something special about the show that really hooked me in.

I guess we all have to eat, so watching delicious and beautifully presented food being prepared and served is something we can all appreciate. However, I think it was the human drama that really attracted me. Witnessing regular folk undertake and (mostly) overcome challenges had real appeal. And the art of cooking is something that we all can improve on in some way, so it is something that is easy to relate to, unlike shows such as Survivor which sees the contestants face ridiculous tasks and challenges.

I must admit though, I avoided the second season of Masterchef. I just wasn’t prepared to commit to six nights a week of viewing for months on end. That was going to require far more dedication than I was prepared to give (again). Of course, that would be a different story if we were talking about whacky Japanese game shows or wrestling.

The first episode of Junior Masterchef saw a bunch of kids cook up an array of totally amazing dishes. The quality of the cooking was surprising but what totally shocked me was how confident and ambitious these young people were. I am sure that kids weren’t like this when I was growing up.

Back in the eighties, when I was the same age as the Masterchef kids, I certainly didn’t have any plans to open up my own restaurant as soon as I turned eighteen. In fact, I had no idea what I wanted to be when I got older. Actually, I did, I wanted to be Batman.

There’s also no way that I would’ve been able to sit in front of a camera and speak as eloquently about food as the aspiring kiddie cooks did.  I’m almost certain that if placed in a similar situation, my twelve year old self would’ve scratched himself and mumbled something about liking Space Food Sticks.

I’m also sure kids weren’t as self-assured back then. In fact, the only super confident kids I knew were the school bully and the Young Talent Team (and they were robots).

At the age of twelve, my cooking abilities extended to grilling fish fingers and heating up frozen pizzas in the oven. I barely knew how to make two minute noodles in four minutes. And let’s not mention the time I put the frozen pizza, complete with plastic tray, in the oven for twenty minutes.

The Junior Masterchef kitchen was set in the same warehouse-like concrete and steel cavern as previous series. The main difference was that the cooking stations were tiny, as if the kitchen renovations were done by Fisher Price. The kids were also given red plastic knives instead of metal ones.  Whilst it was probably a wise idea to give the kids safe sharps, did they forget about the hot ovens, frying oil and boiling water?

Junior Masterchef airs once a week so will be ideal for those of us that think a little cravat goes a long way. Hearing the words “caramelise” and “reduction” each week will give me a sense of comfort, even if I have no idea what they mean. The kids will probably become less cute and more annoying over the season, but I guess there will be lots of gorgeous food to ogle.

Although you probably shouldn’t be allowed to make a crockenbush unless you can spell it and be taller than one, I’m sure plenty of us will get hooked by Junior Masterchef.

Published in: on September 14, 2010 at 09:17  Leave a Comment  
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New Aussie Drama: Cops LAC SUX

This column was originally published in the Central Western Daily on Tuesday 9th September 2010.

In the same week that it was announced that perennial Australian soap, Neighbours, will be shafted across to new digital station, Eleven, next year, a plethora of new home grown drama has premiered on the idiot box. Cops L.A.C. (Local Area Command) is the latest in a long line of local police dramas, the first of which was Homicide which premiered in 1964, almost ten years after the introduction of television in Australia.

A starring vehicle for Kate Ritchie, most recently coming off a stint in radio with Merrick and Rosso, and prior to that, a short run on soapie Home and Away, the new series debuted last week to over 1 million viewers. Supported by the who’s who of Aussie acting veterans, such as Gary Sweet, Roy Billing and Denise Roberts, and a few new faces, Kate is miscast as Detective Senior Constable Samantha Cooper. Sorry Kate, I just can’t buy you as a hard-nosed cop. You’re just too nice, or wooden, or both. If she approached me with a gun and handcuffs, I think I’d give her a hug rather than running away.

The rest of the cast get an assortment of stereotypes to play. Gary Sweet plays the abrasive and cocky superintendent with a heart of gold. Denise Roberts portrays the hard working, no-nonsense inspector. A female head of detectives no less. Roy Billing gets the veteran old school cop, just three months from retirement. I bet his character dies sacrificing himself heroically just minutes before the end of his last shift. All we need is Colonel Mustard in the library with the candle stick and we’ll have the full set of standard police show characters.

The premiere episode centred on the first day on the job for rookie cops Priscilla and Daniel, whilst team Milko investigates a car accident that may be (yawn) a murder! Within minutes of starting in the morning, Daniel gets a milkshake thrown over him and at the end of the episode, which takes place that evening, he is still wearing his soiled uniform. I know the L.A.C. is under-funded but surely they have spare uniforms? 

The killer ends up being the first and least likely suspect, who in TV storytelling terms is actually the most likely suspect. Oh, and smug Detective Llewellyn, played by Martin Dingle Wall, hangs rookie Priscilla’s cap from the roof to teach her a lesson for forgetting it. What tension and drama! If I want to watch a show called Cops, it better be the one with the reggae theme tune and foul mouthed Americans getting arrested with blurry faces.

My verdict: Cops S.U.X.

Spirited debuted two weeks ago on pay TV station “W”. An eight part dramedy from the producers of Love My Way, Spirited stars Claudia Karvan as Suzy Darling, a dentist who leaves her arrogant husband (Rodger Corser from Channel Ten cop drama Rush) to move into a city apartment with her kids. In the apartment she encounters Henry Mallet (Matt King) who may just be the ghost of a pommy rock star. Only appearing to her, Henry and Suzy develop a friendship that might just lead to romance, but can love develop between our world and the spirit realm? Thousand of Michael Jackson fans say yes.

With a set of appealing lead actors, Spirited has a light feel to it that is a refreshing change from the standard teen soap or overacted police drama. Eight episodes is probably enough to sustain viewer interest with its high concept storyline which could go stale over more episodes. It may be a little too reminiscent of The Ghost and Mrs Muir but Spirited is worth a look.

My verdict: Spirited is ghostly good fun.

Offspring also premiered in Channel Ten last month. I’m yet to watch an episode but it looks like a quirky comedy drama about relationships and family. Hmm, that sounds original. Packed to the Rafters in Melbourne, anyone?

Film Props: The Ultimate Collectible

This column was originally published in the Central Western Daily on Tuesday 24th August 2010.

Are you the ultimate movie fan? Is there one film that floats your boat the most? The problem is, how do you show your true devotion? Buying the DVD or blu-ray disc is an obvious choice, but anyone can do that. You can tell the world online, but who cares what a bunch of nerds think? You might buy the poster and frame it on your wall, but between your local cinema and the video store, posters are a dime a dozen.

For the hardcore movie devotee there is a new level of fandom, owning a genuine prop from the production. Why worship a poster of that Predator when you can actually buy a genuine life size Predator costume?

Classically, film studios warehoused and archived their costumes and props to be reused. In recent times, modern manufacturing techniques combined with the sheer cost of storing and maintaining all of these items have resulted in film studios beginning to offload these props and costumes to collectors.

Fox Studios currently operate an ebay store called VIP Fan Auctions. Collectibles from such films as G.I. Joe, Up in the Air and Shutter Island have been up for auction recently. I would think that the most highly prized collectible from Shutter Island would be the script. If I owned that, I might have a chance to work out what exactly happened in that brain boggling flick. The script for G.I. Joe would also be valuable and rare, especially since I’m not entirely sure that the movie was made with one.

By the time you read this column, auctions will be closing on a bunch of items from recently axed Fox shows Ugly Betty and 24. Fancy owning Betty Suarez’ rabbit fur scarf or Jack Bauer’s long-sleeve thermal shirt? Bid now, but be warned. The latter is currently sitting at US$630.

The best source of film props and costumes I have found so far is The Prop Store. Based in London and Los Angeles, they will ship your collectible to anywhere in the world, for a price. Their website is a film geek’s paradise, but be prepared to pay top dollar. Rest assured though, they do offer an interest free payment plan. With fixed prices, there’s no chance of that annoying last second ebay gazumping.

Perhaps you’re a fan of the Batman movies? For just US$12000 you can own Val Kilmer’s cowl and chest armour, complete with those controversial nipples. Lovingly mounted on a custom build frame, you’ll be pleased to know that your bat ears have been stuffed to keep them “looking pointy and ready for business.”

Gremlins 2: The New Batch was a fun sequel which took Gizmo and pals to the Big Apple. With a price tag of US$4995, you can take home a real Gremlin, which featured in the background of the film. Constructed of foam latex, this trouble making critter has animatronic arms and moving clawed fingers.

At the more affordable end of the scale are smaller prop items which were usually mass produced for the production. A bus schedule from Speed will only set you back US$145. A chocolate bar label from Tim Burton’s Charlie and the Chocolate Factory is a bargain at US$59. Three balloons featuring the face of Orlando Bloom (or Orloondo Bland as I like to call him, sorry Miranda) used in the film The Calcium Kid can be yours for only US$12.

So in these uncertain financial times, why risk your future on gold or stocks? The only sound investment nowadays is in Alien egg sacs and Back to the Future hoverboards.

http://www.vipfanauctions.com

http://www.propstore.com

Published in: on August 26, 2010 at 13:08  Leave a Comment  
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Television’s Guilty Pleasures

This column was originally published in the Central Western Daily on Tuesday 17th August 2010.

So what’s your favourite television guilty pleasure? Something probably from the seventies or eighties that you’ve bought on DVD but have to hide at the back of your shelf for fear of friends finding it. Someone must be buying those Baywatch boxed sets, especially season three which sees the introduction of renown Shakespearian actress Pamela Anderson as pneumatic lifeguard C.J. Parker. How the Baywatch team saved anyone from drowning is beyond me, considering that every time they ran across the beach, it happened in slow motion. Perhaps the name Gordon Shumway floats your boat? A wise-cracking alien from the planet Melmac, ALF starred in his own sitcom from 1986 to 1990 and for a short time, was so popular on Aussie television that he was regularly beating Sunday night juggernaut 60 Minutes in the ratings. Seasons one and two of ALF have recently been released on DVD. My rather embarrassing guilty pleasure features a completely bizarre concept. Take the classic American sitcom family and teleport them into an all singing, all dancing variety show and you have the notorious Brady Bunch Variety Hour. The original Brady series aired on US network CBS and closed up shop in 1974 due to falling ratings, however, with syndication, the show became even more popular. It is claimed that since 1975, an episode of The Brady Bunch has aired somewhere in the world every single day. At the time of its demise, the Brady cast were not aware of their status as American cultural icons and were keen to escape their Brady alter egos. In 1976, producers Sid and Marty Krofft of H.R. Pufnstuf and Banana Splits fame managed to coax the entire Brady cast, with the exception of Eve Plumb (Jan), to US network ABC for a one-off hour long special, The Brady Bunch Variety Hour. Out of the returning Brady kids, only Barry Williams (Greg) and Maureen McCormick (Marcia) considered themselves capable singers and dancers. Florence Henderson, who portrayed wholesome matriarch Carol Brady, was a veteran of musical theatre. Strangely enough, the most enthusiastic of the Brady cast was Robert Reed (Mike), who hated his on-screen goody two shoes persona but was intrigued by the prospect of showing off his (limited) singing and dancing abilities. Jan Brady was recast in the guise of talented country singer Geri Reischl. So as the theme tune goes, here’s the story. The Brady family gets the opportunity to star in their own variety show. Leaving behind Mike’s architectural job and the original house, the Brady’s move to Los Angeles with housekeeper Alice in tow. Their neighbour, camp comedian Rip Taylor, also participates in the hi-jinks. Makes perfect sense, yes? No seventies show is complete without a kitsch set and the Variety Hour was no exception. Imagine a psychedelic glittered set, with its centrepiece, a swimming pool. The Krofftettes, a troupe of synchronised swimmers and dancers, featured heavily in the show, splashing around to the Brady clan badly singing and dancing to disco versions of such gems as Yankee Doodle Dandy, Al Jolson’s Toot Toot Tootsie and most bizarrely, Paul McCartney’s Live and Let Die. The Brady Bunch Variety Hour staggered on for a total of nine episodes, featuring guest stars such as Donnie and Marie, Tina Turner, Vincent Price and Lee Majors. American magazine, TV Guide, recently pronounced the Variety Hour as the fourth worst television show of all time. Only two episodes of this cult classic have been released in the US on DVD. In fact, Aussie pay TV channel, TV1, was integral to the rediscovering of this long forgotten series, re-airing it in the late nineties for the first time since its original broadcast. Highlights of the series can be found on YouTube and are well worth a laugh. The Brady Bunch Variety Hour is my favourite television guilty pleasure because it represents a (perhaps imaginary) time of innocence, where sequined jumpsuits were perfectly acceptable for women (and men) and the lack of singing and dancing skills was no obstacle to shaking your groove thing around the swimming pool on the sparkly set of your family’s very own musical variety show. Any time the Bunch is on my TV, all is right in the world.

Published in: on August 17, 2010 at 11:35  Comments (2)  
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TV: sometimes a decent ending is Lost

This column was originally published in the Central Western Daily on Tuesday 15th June 2010.

The long awaited finale to Lost has finally aired. After six brain busting seasons, dedicated Lost fans were decidedly mixed on the ending, which apparently closed many storylines, but not all. I say apparently, because I must admit that I have never seen a single second of Lost. Not because I don’t think I would enjoy it. I’m actually looking forward to starting on season one, episode one real soon. I’ve been avoiding Lost in fear that it would be axed without an ending.

As a fan of serialised television drama in general, there is nothing more gut wrenching than seeing your favourite characters disappear without a trace. After hours and hours of adventures, quests and trials and tribulations, the least a long running TV show owes its audience is a decent farewell.

The recent announcement of Flashforward and Heroes meeting their maker means that I can save myself the time and effort required to keep up with their convoluted mythology. With so many unresolved storylines, I can walk away from the mysterious blue hand markers and superpowered comic book characters knowing that I don’t have to care anymore that saving the cheerleader might also save the world.

Even more painful is when a series is cancelled on a cliff hanger. My Name is Earl concluded after four seasons with the words “To Be Continued” on the screen. Ouch!

Of course, great shows that only survived one season before getting the chop can still be enjoyed and mourned at the same time. Knowing that you only have fourteen or so episodes to spend with memorable characters can be a bittersweet experience but at least you haven’t outlaid hours of staring at the idiot box. The excellent but short-lived Joss Whedon show Firefly and Judd Apatow’s Freaks and Geeks are well worth your time and do not end with cliff hangers.

A well written finale can be sad but truly satisfying. After eleven seasons and running longer than the actual Korean war, M*A*S*H bowed out with the superb two and a half hour Goodbye, Farewell and Amen. From its premiere in 1983 until it was surpassed by the 2010 Super Bowl, it was the most watched television broadcast in US history.

Star Trek: The Next Generation concluded with the well written All Good Things. Bringing back Q, the complicated villain from the very first episode, Captain Picard and crew came full circle in a series that actually may have surpassed the Shat-tastic original.

Seinfeld did something similar, except they brought back practically every memorable character from its nine season run. The final lines of the show are actually from the very first conversation of episode one. In nine years, nobody developed or learned anything. Perfect.

There have also been several clangers, which only served to kick sand in the face of their loyal fan bases.  Millennium, created by The X-Files’ Chris Carter, was axed in 1999, a year short of its namesake upon which its apocalyptic mythology was building towards. Can’t think of an ending? Just have the main character drive off into the distance in a yellow pickup truck. Thanks a lot Mr Carter!

Also frustrating was Quantum Leap’s finale. After 96 episodes of Dr Samuel Beckett leaping through time and rewriting history’s wrongs, fans hoped that “his final leap would be the leap home” as the opening narration of every episode reminded us. Of course, the final episode concluded with the words “Dr Sam Beckett never returned home”. Um, can I get those 96 hours back please?

Despite the volatility of the television marketplace, where ratings mean everything, I think all fans deserve the chance to say bon voyage or “till we meet again on DVD” to their favourite shows. Now if only I could find out how Doug Mulray’s Naughtiest Home Videos ended?

Funeral Insurance in Hi-Death

This column was originally published in the Central Western Daily on Tuesday 20th April 2010.

If you’ve been watching the idiot box lately, you may have noticed an increase in the frequency of a particular advertising campaign which is of the upmost importance to everyone.  And no, I’m not writing about those annoying funeral insurance commercials. Oh dear, I feel a rant coming on…

I really can’t understand why that old couple in the ad are so super duper happy to have their funeral insurance. Personally, I think I’m much better off using that $2.50 a week to buy something that makes me happy, such as an ice cream, satisfied in the knowledge that someone else is going to have to pay for my funeral. And if I wanted to pre-pay for my burial or cremation, I’d save up the money, put it aside in a high interest account and keep the change, rather than pay the funeral insurance company for the rest of my life. I don’t care if I have to watch ShamWow infomercials for eternity, just stop trying to sell me funeral insurance!

Ah, that’s better…

What I am actually referring to is the regular reminders to start preparing for digital television. According to the Australian Government Digital TV website, Orange will have its analogue television signal switched off sometime between January and June 2012. Although there is still plenty of time to take action, there is an increasing array of extra channels with new programming that makes the decision (and financial outlay) to upgrade a little less painful. The ability to watch free to air channels in high definition is also attractive.

For most, the easiest but most expensive way to upgrade is to simply purchase a new TV. Whether it’s plasma, LCD or LED, all new televisions are capable of receiving the digital signal, in either standard or high definition.  If you have an older television that works perfectly well, the addition of a set top box will also allow you to receive the digital signal. This is probably the most environmentally friendly choice too.

Despite having a nicely elevated mountain to broadcast from, Orange in particular seems to have patchy digital signal coverage. Even within the CBD, many digital TV viewers are having problems getting satisfactory reception. If this is a problem for your home, I would suggest that you investigate an external aerial upgrade with a signal amplifier. The general rule is that if your analogue reception is poor, your digital reception will be substandard too.

Older style outside aerials may not be capable of receiving the new frequency band that digital broadcasting occupies. In the case of digital signals, the bigger the aerial is not necessarily the better. Although there is not a specific digital aerial, the latest models are much smaller than what you would see on the majority of homes in Orange. And one last piece of advice, don’t bother buying rabbit ear style inside aerials. For digital TV, you are wasting your time and money with them.

Digital television will soon be your only choice when it comes to free to air broadcasting. An ever expanding array of new channels is finally allowing the ABC, SBS and commercial networks to compete with pay TV. Unfortunately, having to endure the tortuous Zumba and funeral insurance abominations will be no less painful in digital high definition.

Published in: on April 20, 2010 at 13:51  Leave a Comment  
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…so how was your year?

This column was originally published in the Central Western Daily on Tuesday 8th December 2009.

With 2009 drawing to a close, let’s ponder who or what might consider the year to be a positive one, and commiserate with those who have had an annus horriblis.

2009 was a good year for…

Free to air television. With the launch of new digital channels Go!, One, ABC 2 and 3 plus 7TWO to begin broadcasting in Orange soonish, there are now many choices for non-Austar viewers. Why watch the news when you can enjoy the Flintstones instead?

Vampires. Boy wizards are so last year. With the Twilight Saga, Vampire Diaries and my favourite, True Blood, the blood sucking undead have never been so prolific in popular culture. Vampire fiction aimed at the pre-pubescent and post-menopausal demographic has become so popular that it is now a section of its own in most book shops. A sure fire money maker, my self-penned fictional saga, Vampire TAFE, will be on shelves soon.

Britney. The greatest mime artist since Marcel Marceau practically sold out her Australian arena tour. Why doesn’t she ever do the glass box?

Car wash owners. The red dust from the sky soon turned to manna from heaven for local car wash owners. I finally got my car cleaned about a month after the dust storm.

Aspiring NSW Premiers. Please add your name to the waiting list and you will soon be called up for your turn. Previous experience as a performer in a marionette show is preferred.

Michael Jackson. With a record breaking series of fifty sold-out concerts in London, a million plus in record sales, a hit movie and a renewed interest in his career, 2009 was an amazing year for The King of Pop, with one major hiccup.

2009 was a bad year for…

Michael Jackson. No explanation required.

Carbon Trading. With K-Rudd’s emissions trading scheme likely to fail in Parliament, may I suggest that Scanlens introduce a set of Carbon Trading Cards? Soon to be the newest fad to hit the school playground, children can collect and swap these cards which come with a stick of bubble gum and feature a picture and profile of a politician. Keep an eye out for the extremely rare Malcolm Turnbull card which was deemed faulty after printing and cut from the collection.

Television series storyline logic. Why can’t I stop watching FlashForward? It makes no sense. Everyone collapses and sees a vision of themselves six months into the future. An elite FBI team begins to investigate. Why does no-one in their flash forward seem to behave as though they are familiar with what is happening? Why does no-one seem to questions whether the future is set in stone? Am I thinking too much?

DVD Retailers. It must be pretty hard to make a living when the local supermarket sells the latest dvd for a third of the cost price when customers buy $100 worth of groceries. The local video store may soon be collateral damage in the war between Coles and Woolworths.

Tiger Woods. After a glorious win at the Australian Masters, Tiger celebrated by crashing his car into a fire hydrant outside his Florida home. Perhaps he should concentrate on driving towards the green and avoiding the water hazards?