A Letter to Sam: Wrath of the Titans Review

This column was originally published in the Central Western Daily on Tuesday 10th April 2012.

Dear Sam Worthington,

I paid to see your latest big screen venture, Wrath of the Titans, this week. In fact, I paid more than the standard ticket price. I also had to shell out an extra few bucks for a 3D surcharge. I’m not entirely sure why. I brought my own 3D glasses.

I guess you are about to explain to me that 3D digital projection technology is expensive and someone has to pay for its installation. Fair enough. Wait, aren’t normal 2D films also screened in the same cinema using the same projector? Are those 2D patrons also slugged a surcharge to help pay for the new equipment? I thought not.

I’d actually much prefer to be charged a Liam Neeson surcharge. I’d have no problem at all with that.

“I’m sorry Sir. This film features Liam Neeson. He’s a very serious actor you know. He can fight wolves with his bare fists and some shards of glass. He can make a threatening phone call that will make terrorists wet themselves. He has a commanding screen presence. Plus he’s just bought a new yacht. I’m afraid there will be a surcharge for this movie.”

I understand, Sam. What happens at the box office is out of your control. You’re job is just to act, which brings me to my next point.

I’ve checked your job description. Apparently acting requires the ability to become someone else. Not everyone has this skill, which is why filmmakers hire actors to appear in their films. This transformation into a character may even require actors to speak in a different accent.

So why is it, Mr Worthington, that no matter whether you are playing a blue skinned alien, a post-apocalyptic robotic assassin Terminator or an ancient Greek demigod, you seem to be have just stepped off a Qantas flight from Sydney? You’ve obviously learned combat and sword fighting skills to help you transform into Perseus, son of Zeus.  Is it too much to ask for a decent neutral English or American accent?

I pay to see your films because I love to see our local actors make it big in Hollywood. However, I already know that you are Australian. You don’t need to remind me every time you say something onscreen.

So please consider this letter to be some form of constructive feedback. Believe it or not, I did enjoy Wrath of the Titans. The creature effects were imaginative and well executed. I especially enjoyed the cameos from brilliant character actors Bill Nighy and Danny Huston, both sporting silly beards and random accents. The 3D was serviceable and not nearly as dark and muddy to the eye as the horrendous post-production 3D rendering of Clash of the Titans.

I look forward to your next film. May I suggest an Australian production next?

Sincerely,

PY

Published in: on April 22, 2012 at 12:58  Leave a Comment  
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First Review: Marvel’s The Avengers

This column was originally published in the Central Western Daily on Tuesday 24th April 2012.

It’s finally time for The Avengers fans to assemble. Starting with Iron Man in 2008, Marvel Studios, now a subsidiary of The Walk Disney Company, has slowly built towards this ultimate team-up movie. Brief scenes, often occurring after the credit have rolled, in The Incredible Hulk, Thor, Captain America and both Iron Man entries have pieced together the formation of S.H.I.E.L.D., a peacekeeping organisation led by Samuel L. Jackson’s Nick Fury. Can the silver screen contain all of these larger than life characters and satisfy casual and diehard fans of the Marvel franchise? The answer is yes, yes, yes.

Two weeks ago I was lucky enough to attend a preview screening of The Avengers. All I had to do was hand my mobile phone over to a security guard, sign a confidentiality contract and be scanned by metal detectors before I entered the screening room. Disney is obviously very aware that a pirated copy of this film could cost them millions in revenue. Not that I minded. It meant that I got to enjoy a movie without interruptions from annoying flashing mobile screens.

Written and directed by Joss Whedon, The Avengers brings Earth’s mightiest heroes together in response to an attack on humanity by Loki (Tom Hiddleston), Thor’s brother. Thor (Aussie Chris Hemsworth), Captain America (Chris Evans), Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner), Iron Man (Robert Downey Jr) and The Hulk (Mark Ruffalo, replacing Ed Norton) have little reason to trust or like each other and it’s this friction which allows Whedon to work magic with his trademark witty dialogue exchanges and put downs. There are many laugh out loud moments to enjoy.

Surprisingly, every major character gets their fair share of screen time. Even lesser known heroes Hawkeye and Black Widow, only briefly introduced in Thor and Iron Man 2 respectively, get time to shine. Tom Hiddleston’s Loki is appropriately smarmy and a worthy opponent for the team. With the vast majority of characters well established in their own feature films, only Jackson’s Nick Fury seems a little thinly drawn.

I saw the 2D version and there were only a few noticeable 3D moments. I’m not a major proponent of cinema 3D (I much prefer the brighter home 3D) so you’re definitely not missing out on anything by avoiding the surcharge.

The action sequences are well captured and the CGI is convincing. Loki’s attack on the S.H.I.E.L.D. flying helicarrier is breathtakingly good. The final showdown in New York City is a little reminiscent of a similar sequence in Transformers: Dark of the Moon but again Whedon’s humorous banter between the heroes saves the scene. The Hulk smashing things up also helps.

Forget The Dark Knight Rises or The Amazing Spider-Man, there is only one superhero film to see this year and The Avengers is it. Fans of Whedon’s Serenity will be pleased with a little nod to the cult favourite (think Wash). Make sure you stay after the credits for the now standard Marvel Universe credit cookie.

Published in: on April 22, 2012 at 12:54  Leave a Comment  
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Razzie Nominees 2012 & Star Wars 3D

This column was originally published in the Central Western Daily on Tuesday 28th February 2012.

The Academy Awards may have come and gone but this year’s most important film awards ceremony is still yet to come. The Golden Raspberry Foundation, honouring the worst in cinema, has changed their format for 2012. Instead of being awarded the night before the Oscars, the Razzie nominations have been announced this past weekend, with the winners (or losers, depending on how you look at it) to be unveiled on April Fools’ Day.

This year’s array of schlock has seen renown thespian Adam Sandler break the record for the most nominations ever. Between romantic comedy Just Go with It and alleged comedy Jack & Jill, Sandler has racked up a craptastic 11 nominations. Of course, receiving a nod for Worst Actor as Jack and Worst Actress as Jill, helped a great deal. He’s also a writer and producer of Worst Picture nominee Bucky Larson: Born to Be a Star which has bypassed Australian cinemas and will plop onto video store shelves in early March. It follows the adventures of a young man who hopes to follow in the footsteps of his parents and become a porn star. It sounds like it possibly might be the Citizen Kane of our generation, if Orson Welles’ classic was about a young man who hopes to follow in the footsteps of his parents and become a porn star.

As one of two Razzie voters in Orange (that I know of), I’ve already sat through many of the nominated abominations. There are still a few that I will need to witness prior to sending my ballot papers to Artesia, California, so unfortunately, Jack & Jill, Abduction, Bucky Larson: Born to Be a Star, Twilight Saga: Breaking Dawn Part 1 and The Hangover Part 2 are on my “must watch and try to stay awake” list.

 

Speaking of movie duds, I still haven’t witnessed the mess that is Star Wars: Episode I – The Phantom Menace in 3D. I remember how excited I was in the lead up to its original release in 1999. I had tickets to a screening at one minute past midnight on the day of its Australian release. The cinema was packed with fans. The Lucasfilm logo appeared and the crowd went wild. Then up came the title screen with the familiar John Williams fanfare to more screams and applause. The crawler text began.

Taxation? I’ve been waiting 16 years for the prequel to my all time favourite movie franchise and its origins lie in taxes and trade routes? The bubble burst. The hopes and dreams of millions of Star Wars fans faded away just like Yoda in Return of the Jedi. It was all downhill into the sarlacc pit from there. Besides the podrace and the double lightsaber duel, The Phantom Menace is truly awful.

No amount of expensive 3D conversion will salvage this movie. The only problem is that Lucasfilm producer Rick McCallum has announced that unless this initial 3D revision is a success, there won’t be any further 3D Star Wars releases, and I do want to see Episode IV in eye popping, headache inducing 3D! So, to do my part, this week I shall be purchasing a ticket to The Phantom Menace at the cinema and then going home to enjoy the original trilogy on blu-ray.

Farewell Whitney, Dr House… Hello Steve Winwood

This column was originally published in the Central Western Daily on Tuesday 14th February 2012.

This past weekend brought the news of Whitney Houston’s untimely passing. When Michael Jackson died on June 25 2009, the pay TV music stations ceased their regular programming and switched to non-stop Jackson videos. This did not happen with Houston. I’m not particularly surprised. Although arguably as big in the late eighties as The King of Pop, Houston’s days as a viable creative or commercial act were long behind her.

I only own one Whitney Houston CD. I bought it in 1987 with the money I had saved from collecting aluminium cans. I lost interest soon after. In Whitney, that is, not in collecting cans for money. Most of her fans from the eighties probably did the same.

It is always sad when drugs claim a life, regardless of whether they were famous. In Whitney’s case, it is such a waste. The knockout voice had departed but she had real potential for a comeback as an actress. Although I don’t care for the film or Kevin Costner, Houston was showed charisma in The Bodyguard.

 

Why is it that every time I go to the new supermarket, they are playing Steve Winwood’s 1986 hit Higher Love? I hadn’t heard it for years, and then in the space of a few days, twice I’ve found myself singing along as I wander the aisles. They’ve obviously done their research. Somewhere in the world, lab technicians in white coats are testing the effects of Huey Lewis on the shopping habits of rats. Well, the Winwood certainly made me increase my expenditure. Unfortunately for the supermarket, I just bought my usual stuff and then went home to order a copy of Steve Winwood’s greatest hits CD online.

 

Fox announced the cancellation of House last week. After eight seasons, this current one will be the last. As far as I’m concerned, the show had flatlined years ago. Recent ratings would suggest that most people agree with me. There is no doubt that the acerbic Gregory House will go down as one of the great TV doctors of all time, brought to life by the brilliant Hugh Laurie (although someone should have taught him to hold his walking stick in the correct hand).

Although it initially made for fascinating viewing, House was very formulaic. If you were one of Doctor House’s patients, you might want to get another physician. You are guaranteed to get a little better, then much worse, then a little better, then much, much worse, whilst House’s team of medicos misdiagnose you over and over again on a clear perspex whiteboard. Eventually, you’ll survive but only after lots of convulsing.

As ratings began to slide, the producers and writers resorted to more outlandish and silly storylines. Dr House goes to the mental asylum. He finally gets together with Cuddy but they hit turbulence which results in House driving his car into her, er, house. He goes to goal and jumps over a shark whilst waterskiing.

If there are two things I’ve learnt from watching TV, it’s to leave town when Jessica Fletcher arrives, because someone is going to die, and to avoid being admitted to Princeton-Plainsboro Teaching Hospital (House) or Seattle Grace Mercy West Hospital (Grey’s Anatomy). The medical staff are incompetent or way too distracted with each other to keep you alive. Try Eastman Medical Center and ask for Doogie Howser, M.D.

Cinematic Showdown: Snow White vs Snow White

This column was originally published in the Central Western Daily on Tuesday 7th February 2012.

Every few years in Hollywood, two very similar motion pictures are produced and go head to head at the box office. This seems to occur entirely by accident. These projects are greenlit by their respective production companies and developed without any knowledge of each other until it is too late. Whoops. Too much money has been spent to cancel the project and it then becomes a matter of marketing and star power to determine who outmuscles who at the box office.

This year will witness the showdown of the “fairest of them all.” That’s right, it’s Snow White versus Snow White. But before we examine the tale of the tape, let’s have a look at some other cinematic similarity showdowns.

In 1991, we had the clash of the green tights. The low budget Robin Hood, a fairly straight adaption of the legend starring Patrick Bergin and Uma Thurman, was completely annihilated by Kevin Coster’s American accent and lack of moustache. Released two months later, Robin Hood: Prince of Thieves also starred Morgan Freeman, Christian Slater and Alan Rickman as the Sheriff of Nottingham (pretty much reprising his Hans Gruber character from Die Hard). It grossed $390 million worldwide and marks the moment that I realised I have an allergy to Bryan Adams. Both films make for arduous viewing but at least Patrick Bergin bothered to grow a moustache so I’ll take the underdog as my pick.

A few years later, we had volcanorama-rama. February 1997 saw the release of Dante’s Peak, starring new James Bond at the time Pierce Brosnan and a no longer Terminator 2 buff Linda Hamilton. It grossed $178 million worldwide. In June the same year, Los Angeles was decimated in the imaginatively titled Volcano. With star power provided by Tommy Lee Jones and a pre-gay controversy Anne Heche, the film grossed $122 million. Both movies have cliché ridden scripts and feature ridiculousness such as vehicles miraculously driving through molten lava so I’ll call it a draw.

A year later, just as the world was recovering from the volcano disaster, namely Tommy Lee Jones’ poor attempt to play the action hero, the earth came under attack from not one, but two, asteroids.

Deep Impact saw a planet led by US President Morgan Freeman under attack. To ensure that the human race survives, only eight thousand people can be chosen to live underground. With an ensemble cast including Elijah Wood and Robert Duvall, Deep Impact is more drama than disaster flick and grossed a respectable $180 million.

Two months later, the world was threatened again, but this time we had Bruce Willis to save the day. Armageddon also stars Ben Affleck and Billy Bob Thornton as members of a drilling team who are dispatched to the asteroid to blow it up from the inside, as you do. Despite the silly storyline, an awful Aerosmith theme song and a misleading title (hint: the film has a happy ending), Armageddon trounced its rival with a box office take of $250 million.

Both asteroid flicks are guilty pleasures but I’ll take the film with more pathos and less Willis.

Heigh-ho, heigh-ho, it’s now time to predict who will win the battle of the Snow Whites.

In the red corner we have Mirror Mirror. Starring Lily Collins (daughter of Phil “Su-Su-Sussudio” Collins) as Snow White and Julia Roberts as the Evil Queen, this is being marketed as a family friendly action comedy.

In the blue corner, we have Snow White and the Huntsmen. A much different take on the fairytale, the trailer and poster features the ever wooden Kristen Stewart as an armour clad warrior Snow White. Aussie actor Chris Hemsworth will play the titular huntsman assigned to murder Snow White in the woods but ends up training her to defeat the evil queen, played by Charlize Theron.

Despite my aversion to Kristen Stewart, Snow White and the Huntsmen looks like the more interesting picture, however, I predict the family friendly Mirror Mirror will win at the box office. Let the battle begin!

Published in: on February 7, 2012 at 07:23  Leave a Comment  
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My Razzies Diary 2012

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This column was originally published in the Central Western Daily on Tuesday 17th January 2012.

The awards season kicked off with the Golden Globes yesterday, however, the most important ceremony is yet to come. Every year, on the night before the Oscars, the Golden Raspberry Awards are announced to celebrate the worst in cinema. As a member of the Golden Raspberry Foundation, I take my responsibilities berry seriously. At the moment, members are deciding the nominees for the final ballot. Having wisely avoided most of the past year’s dross, I needed to watch a dud a night this week to make an informed decision. This is my Razzie diary

Monday Tonight’s delight is Just Go with It starring Adam Sandler and Jennifer Aniston. I really want to like Adam Sandler but I’m constantly disappointed by his work. In 1995 I took my university friends kicking and screaming to the cinema to see Billy Madison, but they ended up loving the film. I guess his comedy schtick was fresh then. It certainly isn’t now. My test for deciding whether a comedy I’ve just watched is a dud is to watch the gag real. If the bloopers make me laugh more than the movie itself, it’s rubbish. Just Go with It is certified rubbish. There’s no chemistry between the leads and I’m not entirely sure what Nicole Kidman is doing here in a supporting role. I guess we all have bills to pay.

Tuesday Season of the Witch should be billed as part three of Nicholas Cage’s alimony trilogy, along with The Sorcerer’s Apprentice and Drive Angry. It’s like he has chosen a terrible hairstyle and decided to wear it for three films in a row…any three films. Remember how great he was in Leaving Las Vegas? It’s been downhill ever since. Ron Pearlman, playing an almost identical role to his one in Conan the Barbarian, is probably the best thing in this disaster. He plays a disillusioned Crusader knight, alongside Cage, who decides to take an accused witch to a monastery in order to stop the Black Plague. As you do.

Wednesday I can’t believe that Ivan Reitman directed both Ghostbusters and No Strings Attached.  This so-so romantic comedy stars Ashton Kutcher and Natalie Portman. Kutcher isn’t nearly as terrible as his annoying character in New Year’s Eve (my pick for Worst Film). There’s a sense of smugness in all of his performances which I dislike. Oscar winners seem to choose lighter projects after their triumphs to prove their versatility. I prefer Natalie Portman in dramatic roles. As proven here and in the Star Wars prequel trilogy she should avoid comedies.

Thursday Arthur is a remake of the classic eighties comedy which originally featured Dudley Moore. In the title role this time is Russell Brand. I like Brand in supporting roles because I think a little of his comedy style goes a long way. I’m not entirely sure if he is acting or playing himself. No wonder Katy Perry left him. The best part of this film is Helen Mirren as Arthur’s nanny, Hobson. She has a gravitas that will overcome any crappy script, including this one. My girlfriend says she would happily watch this film again. I wouldn’t, but it certainly isn’t from the bottom of the barrel. Arthur passes my blooper test. The film itself is funnier than the gag reel.

Friday I can’t take anymore of this and go to the cinema to watch The Muppets instead.