Avenue Q: Hands Up A Great Musical

This column was originally published in the Central Western Daily on Tuesday 25th August 2009.

Have you ever wondered what an adult version of Sesame St would be like? One where all of the characters had real life problems such as unemployment, homelessness and relationship dysfunction? If so, then Avenue Q is the musical for you.

Avenue Q opened at the Theatre Royal is Sydney on 12th August. Directed by Jonathan Biggins of Three Men and a Baby Grand fame, the musical stars Michala Banas from McLeod’s Daughters and David James from The Hollowmen and Play School.

Broadly based on TV’s Sesame St, Avenue Q features humans, puppet humans and puppet monsters living together on one of New York’s most run-down streets. Similarly to the Lion King musical, the puppeteers dress simply in grey and stand on stage in full view of the audience. They sing, dance and manipulate their puppets, which are crafted from the waist up only, without attempting to hide, yet somehow the eye is drawn to the cute Muppets-like characters and the puppeteers soon fade from view.

New university graduate Princeton (a puppet human) can only afford to live on Avenue Q, which is managed by superintendent Gary Coleman (yes, that Gary Coleman). He falls in love with Kate Monster (a puppet monster), a teaching assistant who yearns to open up a school for monsters. Also living on the street are Christmas Eve, a therapist with no clients, and her fiancé, Brian, an unemployed wannabe stand-up comedian, as well as Nicky and Rod (both puppet humans),  best buddies who share a flat, just like Bert and Ernie. The elusive Trekkie Monster (a puppet) also lives on Avenue Q and spends most of his inside his room, addicted to internet adult websites.

The musical follows the highs and lows of these characters and more, all set to catchy Sesame St style songs, albeit with adult orientated titles such as What Do You Do With A BA In English, The Internet Is For Porn, It Sucks To Be Me and Everyone’s A Little Bit Racist.

Conceived by Jeff Marx and Robert Lopez, Avenue Q originally opened on Broadway in 2003 and went on to beat Wicked for Best Musical at the 2004 Tony Awards. It is currently the 21st longest running show on Broadway. A production of Avenue Q is also underway on London’s West End, and a Las Vegas production ran for 9 months in 2006.

Sharp, clever and very funny, Avenue Q had the capacity audience in stitches. The New York street set was simple but effective, and the occasional use of video screens worked well. The puppeteer cast brilliantly managed multiple characters, sometimes simultaneously on stage. All performers sang strongly, with Michala Banas in particularly fine voice.

Despite the puppets and children’s TV style songs, Avenue Q is not a show for children, with frequent coarse language, adult themes and a now infamous bedroom scene between two puppets. For two hours of pure theatrical and comedy bliss, Avenue Q is highly recommended.

Published in: on December 10, 2009 at 07:55  Leave a Comment  
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3D Movies: The Future of Cinema or a Fad?

This column was originally published in the Central Western Daily on Tuesday 23rd June 2009.

James Cameron, director of Hollywood blockbusters such as The Terminator, Aliens, The Abyss and Titanic believes that the future of cinema is 3D. His latest effort, Avatar, starring Australian actor Sam Worthington, is the first motion picture filmed in digital 3D. With other 3D movies on the horizon, including Toy Story 3, plus many recent mainstream releases with a 3D option, such as Monsters vs Aliens and Bolt, out there in multiplexes, wearing funny glasses in the cinema is certainly becoming more popular, but is it truly the future or just a fad? And is there a conspiracy behind its re-emergence (and no, it is not the Illuminati)?

 History suggests that 3D movies are a fad. The golden age of 3D films began with Bwana Devil in 1952 (highlight – spear thrust at the camera), followed quickly by House of Wax and It Came From Outer Space. 3D soon disappeared as quickly as it arrived, along with other cinematic novelties such as Sensurround and Smell-O-Vision. The third dimension returned briefly in the 80’s with such classics as Friday the 13th Part 3: 3D (highlight – spear thrust at the camera) and Jaws 3-D.

 In both cases, glasses with blue and red lenses were required to achieve the 3D effect. Unfortunately, these glasses also leached much of the colour from the screen so movies appeared drab and lifeless.

 3D films have reappeared again in the past few years with Imax features and mainstream Hollywood movies such as Beowulf (highlight – spear thrust at the camera) and Journey to the Center of the Earth. Technological advances in computer-generated imagery (CGI) and the development of digital filming and processing have now made 3D films relatively cost effective, at least in Hollywood terms. The traditional blue and red glasses have also now been replaced by polarized lenses. Steven Spielberg has even mooted a new plasma screen-based system that doesn’t require glasses.

 So is 3D cinema back for good? Will all movies soon feature a spear being thrust at the camera?

 Well my answer for the near future is probably not. The conversion from traditional reel-based projection systems to high-tech digital projectors at your local cinema is going to be extremely expensive. Only a few multi and megaplexes in Sydney have installed digital 3D cinemas. Rudely, some are charging their customers a “rental fee” for the 3D glasses to help off-set the cost of upgrading their technology. Recent rising attendances and box office takings would suggest that traditional 2D cinema still has a very long and healthy future ahead.

 With the cost of movie piracy to the US economy estimated to be US$61 billion annually,  there are also suggestions that the push for 3D cinema is specifically to protect copyright and claw back some of those huge losses. You see, 3D films can’t be pirated in the cinema, and ticket prices are usually higher for these movies.

 Ultimately, movie-going audiences will be drawn to good, well-told stories regardless of whether crazy glasses (or spears) are involved or not. If you’re a 3D fan, my advice would be to try out the ultimate in 3D entertainment…it’s called the theatre.

Published in: on December 9, 2009 at 11:30  Leave a Comment  
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…so how was your year?

This column was originally published in the Central Western Daily on Tuesday 8th December 2009.

With 2009 drawing to a close, let’s ponder who or what might consider the year to be a positive one, and commiserate with those who have had an annus horriblis.

2009 was a good year for…

Free to air television. With the launch of new digital channels Go!, One, ABC 2 and 3 plus 7TWO to begin broadcasting in Orange soonish, there are now many choices for non-Austar viewers. Why watch the news when you can enjoy the Flintstones instead?

Vampires. Boy wizards are so last year. With the Twilight Saga, Vampire Diaries and my favourite, True Blood, the blood sucking undead have never been so prolific in popular culture. Vampire fiction aimed at the pre-pubescent and post-menopausal demographic has become so popular that it is now a section of its own in most book shops. A sure fire money maker, my self-penned fictional saga, Vampire TAFE, will be on shelves soon.

Britney. The greatest mime artist since Marcel Marceau practically sold out her Australian arena tour. Why doesn’t she ever do the glass box?

Car wash owners. The red dust from the sky soon turned to manna from heaven for local car wash owners. I finally got my car cleaned about a month after the dust storm.

Aspiring NSW Premiers. Please add your name to the waiting list and you will soon be called up for your turn. Previous experience as a performer in a marionette show is preferred.

Michael Jackson. With a record breaking series of fifty sold-out concerts in London, a million plus in record sales, a hit movie and a renewed interest in his career, 2009 was an amazing year for The King of Pop, with one major hiccup.

2009 was a bad year for…

Michael Jackson. No explanation required.

Carbon Trading. With K-Rudd’s emissions trading scheme likely to fail in Parliament, may I suggest that Scanlens introduce a set of Carbon Trading Cards? Soon to be the newest fad to hit the school playground, children can collect and swap these cards which come with a stick of bubble gum and feature a picture and profile of a politician. Keep an eye out for the extremely rare Malcolm Turnbull card which was deemed faulty after printing and cut from the collection.

Television series storyline logic. Why can’t I stop watching FlashForward? It makes no sense. Everyone collapses and sees a vision of themselves six months into the future. An elite FBI team begins to investigate. Why does no-one in their flash forward seem to behave as though they are familiar with what is happening? Why does no-one seem to questions whether the future is set in stone? Am I thinking too much?

DVD Retailers. It must be pretty hard to make a living when the local supermarket sells the latest dvd for a third of the cost price when customers buy $100 worth of groceries. The local video store may soon be collateral damage in the war between Coles and Woolworths.

Tiger Woods. After a glorious win at the Australian Masters, Tiger celebrated by crashing his car into a fire hydrant outside his Florida home. Perhaps he should concentrate on driving towards the green and avoiding the water hazards?