The Reef Review, The “Spooky” Workers and TV’s Alcatraz

This column was originally published in the Central Western Daily on Tuesday 21st February 2012.

I’d like to thank everybody who washed their car or mowed their lawn over the weekend. Now it’s raining again.

I like to support Australian cinema as much as possible. Unfortunately this weekend I chose to watch The Reef, a humourless thriller involving two good looking couples, a yacht and a hungry shark. Can you guess what happens? Whilst beautifully shot in Queensland, the plodding storyline makes the 88 minute run time seem much longer. The bland characters were paper thin, making it very difficult to care as they are picked off by Jaws one by one. Just like the characters, all I wanted to do was endure the experience and make it to the end. None of the promotional material for the movie suggested a feel good film so I suppose I wasn’t deceived. After all, the uplifting tagline on the box was, “Pray you drown first.” If you want to see your favourite actors from McLeod’s Daughters and Underbelly become fish food then The Reef is definitely for you. Avoid if your holiday later this year is at the beach.

 

Speaking of scary movies, have you noticed that the Southern Cross Ten kiddie bedtime commercial starring The Workers has been reshot? A bizarre hybrid of The Wiggles, Hi-5 and The Village People, these children’s entertainers managed to film the creepiest goodnight jingle ever, complete with creepy death stares straight into the camera, toothy robotic smiles and horrible harmonies. Not surprisingly, a newly refilmed version of their ad appeared a few weeks ago. Gone is the weirdness. Instead, none of The Workers look at the camera at all, opting to sing to each other instead. So are they putting themselves to bed, or the kids at home? For my money, make kiddie entertainment come in the form of men in skivvies, fairies or singing and dancing clones. Leave occupational stereotypes for their teenage years when you put them to work at a fast food joint to pay for their Proactiv.

 

Have you checked out Alcatraz, the latest TV series from J.J. Abrams’ Bad Robot, the production house responsible for head scratcher Lost? Starring Sam Neill (in boggle eyed, “you must eat meat” mode) and the rotund guy from Lost, Jorge Garcia, the series follows a team of investigators searching for the population of guards and prisoners who mysteriously “disappeared” from the famous prison island in 1963. As the inmates reappear in their former cells one by one and resume their former evil ways, the team have to track them down and work out who or what is behind this event. Whilst I am enjoying the show, I have some major problems with the storyline.

If the team’s HQ is underneath the prison on the island, why don’t they just close the tourist attraction? The prisoners will reappear in their cells and be caught immediately, instead of catching the ferry back to mainland to cause trouble. And why do we never see the team on a boat travelling to and from Alcatraz? If you’re not going to close the island, then why inconvenience yourself with a boat ride several times a day? Do they have to wait for the hourly tourist ferry each time? If Lost has taught us anything, only time and a polar bear will tell, perhaps.

Published in: on February 29, 2012 at 07:31  Leave a Comment  
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Razzie Nominees 2012 & Star Wars 3D

This column was originally published in the Central Western Daily on Tuesday 28th February 2012.

The Academy Awards may have come and gone but this year’s most important film awards ceremony is still yet to come. The Golden Raspberry Foundation, honouring the worst in cinema, has changed their format for 2012. Instead of being awarded the night before the Oscars, the Razzie nominations have been announced this past weekend, with the winners (or losers, depending on how you look at it) to be unveiled on April Fools’ Day.

This year’s array of schlock has seen renown thespian Adam Sandler break the record for the most nominations ever. Between romantic comedy Just Go with It and alleged comedy Jack & Jill, Sandler has racked up a craptastic 11 nominations. Of course, receiving a nod for Worst Actor as Jack and Worst Actress as Jill, helped a great deal. He’s also a writer and producer of Worst Picture nominee Bucky Larson: Born to Be a Star which has bypassed Australian cinemas and will plop onto video store shelves in early March. It follows the adventures of a young man who hopes to follow in the footsteps of his parents and become a porn star. It sounds like it possibly might be the Citizen Kane of our generation, if Orson Welles’ classic was about a young man who hopes to follow in the footsteps of his parents and become a porn star.

As one of two Razzie voters in Orange (that I know of), I’ve already sat through many of the nominated abominations. There are still a few that I will need to witness prior to sending my ballot papers to Artesia, California, so unfortunately, Jack & Jill, Abduction, Bucky Larson: Born to Be a Star, Twilight Saga: Breaking Dawn Part 1 and The Hangover Part 2 are on my “must watch and try to stay awake” list.

 

Speaking of movie duds, I still haven’t witnessed the mess that is Star Wars: Episode I – The Phantom Menace in 3D. I remember how excited I was in the lead up to its original release in 1999. I had tickets to a screening at one minute past midnight on the day of its Australian release. The cinema was packed with fans. The Lucasfilm logo appeared and the crowd went wild. Then up came the title screen with the familiar John Williams fanfare to more screams and applause. The crawler text began.

Taxation? I’ve been waiting 16 years for the prequel to my all time favourite movie franchise and its origins lie in taxes and trade routes? The bubble burst. The hopes and dreams of millions of Star Wars fans faded away just like Yoda in Return of the Jedi. It was all downhill into the sarlacc pit from there. Besides the podrace and the double lightsaber duel, The Phantom Menace is truly awful.

No amount of expensive 3D conversion will salvage this movie. The only problem is that Lucasfilm producer Rick McCallum has announced that unless this initial 3D revision is a success, there won’t be any further 3D Star Wars releases, and I do want to see Episode IV in eye popping, headache inducing 3D! So, to do my part, this week I shall be purchasing a ticket to The Phantom Menace at the cinema and then going home to enjoy the original trilogy on blu-ray.

Cinematic Showdown: Snow White vs Snow White

This column was originally published in the Central Western Daily on Tuesday 7th February 2012.

Every few years in Hollywood, two very similar motion pictures are produced and go head to head at the box office. This seems to occur entirely by accident. These projects are greenlit by their respective production companies and developed without any knowledge of each other until it is too late. Whoops. Too much money has been spent to cancel the project and it then becomes a matter of marketing and star power to determine who outmuscles who at the box office.

This year will witness the showdown of the “fairest of them all.” That’s right, it’s Snow White versus Snow White. But before we examine the tale of the tape, let’s have a look at some other cinematic similarity showdowns.

In 1991, we had the clash of the green tights. The low budget Robin Hood, a fairly straight adaption of the legend starring Patrick Bergin and Uma Thurman, was completely annihilated by Kevin Coster’s American accent and lack of moustache. Released two months later, Robin Hood: Prince of Thieves also starred Morgan Freeman, Christian Slater and Alan Rickman as the Sheriff of Nottingham (pretty much reprising his Hans Gruber character from Die Hard). It grossed $390 million worldwide and marks the moment that I realised I have an allergy to Bryan Adams. Both films make for arduous viewing but at least Patrick Bergin bothered to grow a moustache so I’ll take the underdog as my pick.

A few years later, we had volcanorama-rama. February 1997 saw the release of Dante’s Peak, starring new James Bond at the time Pierce Brosnan and a no longer Terminator 2 buff Linda Hamilton. It grossed $178 million worldwide. In June the same year, Los Angeles was decimated in the imaginatively titled Volcano. With star power provided by Tommy Lee Jones and a pre-gay controversy Anne Heche, the film grossed $122 million. Both movies have cliché ridden scripts and feature ridiculousness such as vehicles miraculously driving through molten lava so I’ll call it a draw.

A year later, just as the world was recovering from the volcano disaster, namely Tommy Lee Jones’ poor attempt to play the action hero, the earth came under attack from not one, but two, asteroids.

Deep Impact saw a planet led by US President Morgan Freeman under attack. To ensure that the human race survives, only eight thousand people can be chosen to live underground. With an ensemble cast including Elijah Wood and Robert Duvall, Deep Impact is more drama than disaster flick and grossed a respectable $180 million.

Two months later, the world was threatened again, but this time we had Bruce Willis to save the day. Armageddon also stars Ben Affleck and Billy Bob Thornton as members of a drilling team who are dispatched to the asteroid to blow it up from the inside, as you do. Despite the silly storyline, an awful Aerosmith theme song and a misleading title (hint: the film has a happy ending), Armageddon trounced its rival with a box office take of $250 million.

Both asteroid flicks are guilty pleasures but I’ll take the film with more pathos and less Willis.

Heigh-ho, heigh-ho, it’s now time to predict who will win the battle of the Snow Whites.

In the red corner we have Mirror Mirror. Starring Lily Collins (daughter of Phil “Su-Su-Sussudio” Collins) as Snow White and Julia Roberts as the Evil Queen, this is being marketed as a family friendly action comedy.

In the blue corner, we have Snow White and the Huntsmen. A much different take on the fairytale, the trailer and poster features the ever wooden Kristen Stewart as an armour clad warrior Snow White. Aussie actor Chris Hemsworth will play the titular huntsman assigned to murder Snow White in the woods but ends up training her to defeat the evil queen, played by Charlize Theron.

Despite my aversion to Kristen Stewart, Snow White and the Huntsmen looks like the more interesting picture, however, I predict the family friendly Mirror Mirror will win at the box office. Let the battle begin!

Published in: on February 7, 2012 at 07:23  Leave a Comment  
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My Razzies Diary 2012

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This column was originally published in the Central Western Daily on Tuesday 17th January 2012.

The awards season kicked off with the Golden Globes yesterday, however, the most important ceremony is yet to come. Every year, on the night before the Oscars, the Golden Raspberry Awards are announced to celebrate the worst in cinema. As a member of the Golden Raspberry Foundation, I take my responsibilities berry seriously. At the moment, members are deciding the nominees for the final ballot. Having wisely avoided most of the past year’s dross, I needed to watch a dud a night this week to make an informed decision. This is my Razzie diary

Monday Tonight’s delight is Just Go with It starring Adam Sandler and Jennifer Aniston. I really want to like Adam Sandler but I’m constantly disappointed by his work. In 1995 I took my university friends kicking and screaming to the cinema to see Billy Madison, but they ended up loving the film. I guess his comedy schtick was fresh then. It certainly isn’t now. My test for deciding whether a comedy I’ve just watched is a dud is to watch the gag real. If the bloopers make me laugh more than the movie itself, it’s rubbish. Just Go with It is certified rubbish. There’s no chemistry between the leads and I’m not entirely sure what Nicole Kidman is doing here in a supporting role. I guess we all have bills to pay.

Tuesday Season of the Witch should be billed as part three of Nicholas Cage’s alimony trilogy, along with The Sorcerer’s Apprentice and Drive Angry. It’s like he has chosen a terrible hairstyle and decided to wear it for three films in a row…any three films. Remember how great he was in Leaving Las Vegas? It’s been downhill ever since. Ron Pearlman, playing an almost identical role to his one in Conan the Barbarian, is probably the best thing in this disaster. He plays a disillusioned Crusader knight, alongside Cage, who decides to take an accused witch to a monastery in order to stop the Black Plague. As you do.

Wednesday I can’t believe that Ivan Reitman directed both Ghostbusters and No Strings Attached.  This so-so romantic comedy stars Ashton Kutcher and Natalie Portman. Kutcher isn’t nearly as terrible as his annoying character in New Year’s Eve (my pick for Worst Film). There’s a sense of smugness in all of his performances which I dislike. Oscar winners seem to choose lighter projects after their triumphs to prove their versatility. I prefer Natalie Portman in dramatic roles. As proven here and in the Star Wars prequel trilogy she should avoid comedies.

Thursday Arthur is a remake of the classic eighties comedy which originally featured Dudley Moore. In the title role this time is Russell Brand. I like Brand in supporting roles because I think a little of his comedy style goes a long way. I’m not entirely sure if he is acting or playing himself. No wonder Katy Perry left him. The best part of this film is Helen Mirren as Arthur’s nanny, Hobson. She has a gravitas that will overcome any crappy script, including this one. My girlfriend says she would happily watch this film again. I wouldn’t, but it certainly isn’t from the bottom of the barrel. Arthur passes my blooper test. The film itself is funnier than the gag reel.

Friday I can’t take anymore of this and go to the cinema to watch The Muppets instead.

The Year in Film: 2011’s Best

This column was originally published in the Central Western Daily on Tuesday  27th December 2011.

In my annual wrap up of the year in cinema, we’ve so far waded through the stinkers and underrated gems that disgraced and graced the silver screen. After much deliberation (at least five minutes), it’s now time to announce my best films of 2011. Drum roll please.

3. Captain America: The First Avenger In the final lead up to The Avengers, the ultimate Marvel superhero team up, this year saw the release of Kenneth Branagh’s Thor and the far superior Captain America. Directed by Joe Johnston (Jumanji, Jurassic Park III), this action adventure got the mix just right. A likeable hero (Chris Evans) and a charismatic baddie (Hugo Weaving channelling Werner Herzog), combined with some amazing special effects to render Evans as a pre-transformation weakling, plus a not too complicated storyline all made for an enjoyable ride. The setting of the film in World War 2 gave the flick some real stakes too. The final five minutes of the film were essentially an ad for the next film but I was having so much fun to care. The 3D effects were OK too.

2. Rise of the Planet of the Apes “Rotpota”, as it has become known, was really the little film that could this year. Dismissed pre-release as another unnecessary remake, à la Footloose, this reboot of the original sci-fi classic franchise was a taut thriller that features the best motion capture performance so far. Starring as the CGI chimpanzee Caesar, Andy Serkis was a revelation and brought true gravitas to what was essentially a bunch of pixels. He truly deserves a much touted Oscar nomination, the first for such a performance. Directed by Rupert Wyatt, this is a seamless blend of live action and CGI.

1. Super 8 J.J. Abrams’ homage to the eighties films of Steven Spielberg was simply magical. A throwback to a time when movies for children were allowed to be scary, this was The Goonies, Gremlins and E.T. The Extra-Terrestrial all rolled into one. Abrams managed to elicit the most natural child actor performances from stars Joel Courtney and Elle Fanning since Henry Thomas left a trail of Reece’s Pieces to attract a certain alien. All of the Spielberg hallmarks were present: the single parent family, the military and the monster wanting to find its way home. In one hundred and twelve superb minutes, Abrams manages to encapsulate the wonder of childhood.

My notable mentions for this year are: Thor, Bridesmaids, Fast Five and X-Men: First Class.

2011 also saw the release of twenty eight sequels (that’s right, twenty eight). It shows that in the current financial climate, the major studios are not prepared to bet on original ideas when there are less risky properties and franchises to build upon.

2012 is already looking interesting with The Adventures of Tintin, Warhorse, The Girl with the Dragon Tattoo and The Muppets on the schedule in the first weeks of January. Have a great cinematic 2012!

The Year in Film: 2011’s Underrated Gems

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This column was originally published in the Central Western Daily on Tuesday 13th December 2011.

Last week I ran through my cinematic disappointments of the year. Of course, I hadn’t seen New Year’s Eve at the time. Starring every actor working in Hollywood today and Jon Bon Jovi, this ensemble piece comes from those responsible for the similarly structured Valentine’s Day. A stomach ache inducing mix of cheese and saccharine, the multiple strand storyline eventually collapses under its own weight and like me, you’ll be counting down from ten with the stars, only because it means that the film is almost over.

It wasn’t all bad out there in the multiplexes this year. Here are my underrated or undiscovered gems for 2011.

Rango came and went without much fanfare in March. Directed by Gore Verbinski, the man at the helm of the first three Pirates of the Caribbean films, this clever and witty animated feature starred the voice talents of Johnny Depp, Isla Fisher, Ned Beatty and Bill Nighy, amongst others. Following a wise cracking pet chameleon who is separated from his owners and accidentally becomes the sheriff of a town inhabited by desert dwelling creatures, Rango is much more sophisticated than your average animated film  and will play strongly to kiddie and adult audiences alike. Admirably, it was released in 2D only.

A little while ago, I wrote a piece about the horror comedy Tucker and Dale vs Evil. A film festival darling, a thoughtless decision by a US theatre chain representative denied the movie a mainstream cinema release. Now available in Australia for rental or retail, this low budget affair tips the rules of horror films on its head as two well meaning hillbillies get mistaken for serial killers by a bunch of stupid teens. As the college students become more and more convinced that they are being “hunted”, they accidentally off themselves in hilarious and bloody ways. Starring the versatile Alan Tudyck of Serenity and Firefly fame, Tucker and Dale vs Evil is great fun and will hopefully find its audience on DVD.

Super, a very black comedy from James Gunn, the writer and director of splatter horror laugh-fest Slither, has just had its Australian premiere in November at the Gold Coast Film Festival. Reminiscent of Kick Ass, it stars Rainn Wilson from TV’s The Office as an everyday man whose life spins out of control after his ex-junkie wife, played by Liv Tyler, relapses and falls into the arms of Kevin Bacon’s crime kingpin. Becoming The Crimson Bolt, a super hero armed only with a monkey wrench, Wilson is joined by Ellen Page as his deranged sidekick Boltie.

Dark and violent at times, but laugh out loud funny throughout, Super really resonated for me. With the current glut of super hero movies on the market, it is refreshing to see a different take on your traditional storyline. In this case, the super heroes are much more disturbed and mentally unhinged than the villains. Super will hits Australian shelves in early January and comes highly recommended.

Published in: on December 20, 2011 at 09:27  Leave a Comment  
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The Year in Film: 2011’s Worst Movies

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This column was originally published in the Central Western Daily on Tuesday 6th December 2011.

With 2011 almost done and dusted, it’s time once again to review the cinematic good, the bad and the ugly of the past eleven months and 6 days. Admittedly, I didn’t frequent the cinema or video shop as much as in previous years but that didn’t help me to avoid these clunkers. Over the next few weeks, let’s start from the bottom and work our way to the top. Here are my worst films of 2011.

There were two fighting robots movies released this year and the one you should have missed was Transformers: Dark of the Moon. Directed with the subtlety of a Jeremy Clarkson rant by Michael Bay, this sequel was more than a two hour toy commercial, it was also a sales pitch for paracetamol. Robots clashed, people ran, things exploded, people ran some more and all in eye smashing, headache inducing 3D.

Shea LaBeef and Fergie’s husband returned for a payday, alongside franchise newcomers McDreamy, the guy from Being John Malkovich and Oscar winner Frances McDormand. Megan “so hot in 2004” Fox was canned from the production for apparently saying negative things about the director. I guess I’m out of contention for Transformers 4 now too.

After several stalled attempts, The Green Hornet finally arrived in January. Written by funny man Seth Rogan and directed by the imaginative Michael Gondry, The Green Hornet was strangely neither funny nor imaginative. Also starring as the titular super hero, aka Britt Reid, Rogan was obviously overstretched as he forgot to make his character likeable. Oscar winner Christoph Waltz lazily reprised his villainous character from Inglorious Basterds and I have no idea what Cameron Diaz was doing in this film.

The Green Hornet was also presented in pointless 3D. You know your 3D is terrible when the end credit sequence looks better than the rest of the movie.

Director Zack Snyder of 300 fame is another hack who doesn’t like to let story get in the way of the action. His effort for this year, Sucker Punch, is virtually unwatchable. Featuring Aussie actresses Emily Browning and Abbie Cornish, alongside High School Musical star Vanessa Hudgens, the film follows an institutionalised girl who escapes into an imaginary alternate world where she joins her fellow inmates as a team of kick ass fighters.

This misogynistic and violent tale is hard to watch and will make you want to escape into an imaginary alternate world where, well, you know the rest.

Finally, from the director of the original Twilight came Red Riding Hood. Would you like your movie with extra cheese? Starring doe eyed Amanda Seyfried as the doe eyed Valerie, this very silly film is set in a village menaced by werewolves. Torn between two suitors, Valerie seeks to unravel the source of the lycan menace alongside werewolf hunter Solomon, overplayed by Gary Oldman.

Did I mention that this film is sensual and romantic? That’s how I prefer my fairy tales. Director Catherine Hardwicke proves that lightning can’t strike twice with this retread of her previous sensual and romantic adaption of Twilight.

Published in: on December 20, 2011 at 09:20  Leave a Comment  
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Film Review: Jucy

This column was originally published in the Central Western Daily on Tuesday 15th November 2011.

At first glance of the poster, it would be very easy to dismiss Jucy as just another zany low brow Aussie comedy, along the lines of the atrocious You and Your Stupid Mate (2005), however, this new womance (the opposite of bromance) has a strong heart beating behind the humour and may well be the undiscovered (for now) gem of the year.

Directed by Brisbanite Louise Alston (All My Friends are Leaving Brisbane) and scripted by her husband, Stephen Vagg, Jucy is very loosely based on the lives of its stars Francesca Gasteen and Cindy Nelson.

Lucy (Gasteen) and Jackie (Nelson) are two twentysomething outsiders drifting through life. Working together at a Brisbane video store, the best friends are known collectively as “Jucy”. Shunned by their friends in the local amateur theatre group, both set goals to improve their lives and become more acceptable to the mainstream. That is, Lucy aims to get herself a decent job and Jackie wants a boyfriend.

Of course, their paths become complicated by both being cast in a local production of Charlotte Bronte’s Jane Eyre and soon the girls’ friendship is at risk of being torn apart.

Best friends on and off the screen, Gasteen and Nelson have a fabulous chemistry. Both providing input into the script, their banter is incredibly natural and honest, with hilarious results. Any initial expectations of two dimensional sketch comedy caricatures are swept away by believable depictions of funny but flawed characters.

Also impressive is rising actor Ryan Johnson in a supporting comedic role as a self-important wannabe thespian who fakes addictions for attention. It has recently been announced that Johnson has joined the cast of US legal drama Fairly Legal.

Jucy is not just played for laughs. Adding a little bitter to the sweetness is the depiction of Jackie’s mental illness. Coming off her medication mid-plot, her situation spirals even further out of control. Inspired by actress Nelson’s real life struggle, the resolution to this plot strand is ambiguous and one of the few elements of the film that misfires.

A low budget affair, Jucy was shot in just fourteen days. Real locations in Brisbane such as Trash Video and The Arts Theatre were used, as well as the house that Gasteen and Nelson share in real life. Shot in digital with a Panasonic P2 camera, the suburbs have never looked better.

Australian cinematic offerings of late have centred on big, sweeping, historical stories. It is refreshing to be equally as drawn into a smaller story involving average folk.

Jucy has recently been licenced to a US distributor to be available through Amazon.com and Walmart. One has to wonder what your average American will make of this little Aussie film.

Jucy will mostly appeal to female audiences but there are certainly plenty of laughs for the guys too. Stephen Vagg has seemingly managed to capture how women talk when men are not around. Well at least I think he has.

Louise Alston’s apt direction wisely puts the characters before the jokes ensuring that the audience laughs along with the protagonists more often than at them.

Stars Gasteen and Nelson make an appealing comic duo and have the potential to be breakout stars. Let’s hope they continue to work together.

Jucy is currently screening in Orange and is highly recommended for anyone seeking a little home grown respite from fighting robots and toy commercial cinema.

Published in: on November 21, 2011 at 07:15  Leave a Comment  
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Jucy: Alternate means of distributing and promoting independent films

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This column was originally published in the Central Western Daily on Tuesday 8th November 2011.

Fans and supporters of Australian cinema were given a treat on Friday night as Orange hosted a gala screening of the new film, Jucy. Although promotional tours are common in the film industry, Orange is rarely on the itinerary.  Brisbane based director Louise Alston, writer Stephen Vagg and stars Francesca Gasteen and Cindy Nelson are on a road trip to promote their low budget independent feature. With successful screenings in Canberra and Wagga Wagga under their belts so far, they were keen to interact with audience members during a Q & A session following the screening.

I was particularly intrigued by this grassroots approach to film distribution and promotion that is so far removed from the marketing of your typical robots fighting robots mainstream blockbuster, and had the pleasure of chatting to the filmmakers and actors before the screening.

Director Louise Alston says she was buoyed by the success of Bob Connolly’s independent film, Mrs Carey’s Concert, which utilised a similar marketing plan, and as a filmmaker, these screenings really brought her in touch with her potential audience. “We have more love (for Jucy) than somebody selling a whole lot of films. This is our baby so we put a lot of effort in.”

Writer Stephen Vagg explained that this was the second stage in the film’s promotional life and that Jucy had already been well received on the international film festival circuit, with successful screenings at festivals in Toronto, Seattle, London, Seoul and Tel Aviv. “For non-Hollywood films, festivals are very important and they have been for us, but now we’re doing a domestic release and we really want to push it as much as we can by doing personal appearances. We don’t want it (Jucy) to sit on the shelf. We want as many people to see it as possible.”

Vagg also revealed that Wagga Wagga was chosen for a screening because it is director Alston’s home town, and that some of her aunts and uncles hail from Orange.

Described as a “womantic” comedy (think “womance” instead of “bromance”), Jucy is loosely based on the lives of stars Gasteen and Nelson, best friends in real life and both stalwarts of the Brisbane theatre scene. Jackie (Nelson) and Lucy (Gasteen) are best friends, collectively known as Jucy, who do everything together, including amateur theatre. As outsiders, their attempts to fit into the cool crowd by becoming more mainstream create unforeseen pressures which may tear their friendship apart.

The cinematic success of Red Dog this year proves that there is a market for Australian fare that doesn’t involve horror, crime or depressing drug stories. It was great to see posters for a low budget home grown flick like Jucy sitting alongside promotional standees for box office behemoths such as Real Steel and The Smurfs.

The nature of cinema in general does not really allow for a personal connection between the filmmakers and the audience. I am sure that the audience on Friday enjoyed meeting the stars and creative team behind Jucy. Let’s hope this marketing approach is successful and more independent films (and filmmakers) can come to Orange.

Eighties remakes suck…but if you really have to, remake these

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This column was originally published in the Central Western Daily on Tuesday 1st November 2011.

There’s nothing new under the sun. This year has seen the release of eighties remakes, Footloose and Fright Night. Both films have enjoyed moderate box office success and mixed critical reviews, but ultimately, one has to wonder why a remake was necessary.

With a prequel to the 1980 classic The Thing also hitting screens this month, plus a troubled reworking of Red Dawn likely to finally see the light of day this year, it seems all bets are off.

So here are my picks for eighties classics to be remade, even though I think it’s a bad idea.

Number 5 is alive! Despite starring Steve Guttenberg and having a shameful Indian stereotype character played by white actor Fisher Stevens (Birdy Num Nums anyone?), Short Circuit (1986) is great fun. Johnny 5, a military prototype robot, gets struck by lightning and develops self awareness. Permanently stuck is wise cracking mode, Johnny learns about life as he goes on the run from the bad guys with charisma vacuum Guttenberg and Ally Sheedy in tow. A poor sequel was produced in 1988 with only Fisher Stevens and Number 5 returning.

Have you ever left a yogurt in the fridge for so long that it becomes an evil entity that wants to take over your body? That is pretty much the premise of The Stuff (1985). Miners discover sweet tasting goo seeping out of the ground and decide to mass market it as a dessert (as you do). Of course, the goo is alive and has the power to turn the good folk of America into zombies. Only an industrial espionage expert hired by a rival ice cream company can save the day. I know it’s not exactly Hamlet but conceptually The Stuff is pretty good, er, stuff.

John Cusack was a staple in eighties teen comedies and two of his classics deserve a reboot. The Sure Thing (1985) stars Cusack as a young man who embarks on a road trip across America to hook up with a bikini clad blonde. Bad luck pairs him with uptight classmate Allison (Daphne Zuniga). Chaos ensues. Will he get to meet the girl of his dreams or will the mismatched travelling couple fall in love? I’m sure you can guess.

Better Off Dead (1985), also stars Cusack as a teen who loses his fickle girlfriend to a fellow skiing rival. Depressed, he tries unsuccessfully to kill himself. Pursued throughout the film by a paperboy (I want my two dollars!) and two very funny Asian revheads who seem to be waiting to race him at every traffic light, Cusack has to get his skiing mojo back as he falls for the pretty foreign exchange student next door.

In the eighties, two-for-one vouchers could often be found on promotional bottles of a particular brand of cordial (the one my dad picks the fruit for). These vouchers were only good for whatever film was being pushed at the time, and this is how I got to see my final pick, The Boy Who Could Fly (1986).

Teenager Milly meet Eric, an autistic boy. Both have lost a parent or parents and they soon become friends. After a series of strange events, Milly comes to the conclusion that Eric might have strange powers. Can Eric really fly? Have you read the title of the film?

On paper, none of these films sound worthy of a remake. However, like the original Footloose and Fright Night, they each contain a particular energy, attitude and innocence unique to the eighties and this cannot be replicated by CGI, 3D or any Kevin Bacon wannabe. But if we must disturb the graves of classic eighties cinema, you could do far worse.