Film Review: G.I. Joe: Retaliation

This column was originally published on The Orange Post on Sunday 21st April 2013.

I don’t know about you, but I prefer my toy commercials to be 15 – 30 seconds long, rather than a 110 minute post-converted 3D headache inducing bore. Oh bugger, I’ve finished my review already. OK, here’s the long version.

As a child, I was a little too old to really get into G.I. Joe, but I liked the concept. My younger brother collected the action figures, and I enjoyed checking them out and reading the bios that came on the back of the packaging. He also had a G.I. Joe cartoon on VHS that featured the heroes outsmarting the evil Cobra organisation by diverting some biomonster thingy through an apple orchard. Apparently apple seeds contain a tiny amount of arsenic, which destroyed the creature. I will carry this knowledge with me to the grave, regardless of whether it has a factual basis or not.

Unfortunately, 2009’s G.I. Joe: The Rise of Cobra, directed by Steven Sommers (The Mummy), was a letdown for those of us old enough to carry fond memories of the toys. The storyline was as simple as the apple orchard scenario and despite the best efforts of a decent cast, including Dennis Quaid, Rachel Nichols, Channing Tatum and Joseph Gordon-Levitt, the movie was little more than a live action cartoon pitched at kids.

G.I. Joe: Retaliation, directed by Jon M. Chu, attempts to right the wrongs of its predecessor by pressing the big red reset button. Much of the original cast and characters are jettisoned. Channing Tatum, now a major Hollywood player, makes a brief appearance to presumably meet contractual obligations. Of the lead cast members, only Jonathan Pryce, Ray Park and Byung-hun Lee return to reprise their roles as the President, ninja Snake Eyes and other ninja Storm Shadow, respectively. Strangely, Lee’s character was the only major character in the original to be killed off.

An attack which wipes out the Joes early on in the film allows a new set of lead characters to emerge in the form of Roadblock (Dwayne “The Rock” Johnson), Lady Jaye (Adrienne Palicki) and Flint (D.J. Cotrona). Falsely accused of treason by the President (Pryce gives a masterclass in overacting), the new lineup are forced to turn to the original “Joe”, General Joe Colton, played by a bored looking Bruce Willis on autopilot.

What happens next is an overcomplicated plot with lots of explosions. Chu has succeeded in pitching the movie at a more mature audience, however, the story is too messy for there to be genuine stakes, and plot holes abound. For instance, London is obliterated by Cobra’s new weapon with absolutely no repercussions on the storyline or reactions from the characters.

Originally slated for release last June, G.I. Joe: Retaliation was pushed back almost a year to allow for post-conversion into 3D. The end result is a typically unremarkable 3D experience, with the standard complaint of being too dark to follow the action. A box office haul of over $272 million so far, however, suggests that the delay was worth it and that a third instalment is inevitable.

Chu is best known for directing two entries in the Step Up series and the Justin Bieber “documentary” Never Say Never, and proves that he knows his way around an action sequence. A ninja battle on a cliff face is breathtaking. Unfortunately, it has little to do with anything else happening in the film.

“The Rock” has developed a reputation in Hollywood as a franchise saver. His charisma alone is possibly the only, but certainly not compelling, reason to sit through this film.

Published in: on April 27, 2013 at 17:47  Leave a Comment  
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New TV Reviews: Defiance, Da Vinci’s Demons, Hannibal

This column was originally published in the Central Western Daily on Tuesday 23rd April 2013.

A fresh batch of episodic TV series has hit our screens, fast tracked from the USA within a few days or weeks of their original airdate. This strategy was tried by the Australian free-to-air networks a few years ago in a bid to curb illegal downloading, with mixed results. Ratings didn’t rise proportionately compared to the known downloading figures, and it left the local networks vulnerable when a series was abruptly cancelled. This is less of a problem for the pay TV broadcasters because they are less at the mercy of ratings and advertisers, and have a tendency to run a show in a particular day and timeslot for its entire season run.  Regardless, it is pretty hard to compete with illegal downloading, which allows fans to view a program within minutes of its US broadcast, ad-free, without the need for a recording device.

Defiance is the latest big budget series from the US Syfy Channel. Starring Australia’s own Grant Bowler (he’s actually a Kiwi) and Julie Benz of Buffy the Vampire Slayer and Angel fame, the show is set in the near future following the arrival of the Votanis Collective, an alliance of five alien races. In the movie length pilot, Joshua Nolan (Bowler) and his adopted alien daughter Irisa (Stephanie Leonidas) arrive in the outpost town of Defiance and soon become embroiled in a murder investigation which will jeopardise the entire population.

This show has been developed in conjunction with a multiplayer online game of the same name. Allegedly, both the game and series will influence each other, whatever that means. A large cast featuring multiple alien characters may turn off some but I think this show will reward dedicated viewers. Think of it as Babylon 5 meets Firefly via Eureka.

Da Vinci’s Demons is the latest series from David S. Goyer, the writer of Batman Begins and the new Superman movie, The Man of Steel. A fictional take on Leonardo Da Vinci’s early life, the show stars Tom Riley as the genius inventor, artist and intellectual. The first episode features flying machines, conspiracies, cults, opium smoking, a gay Pope and plenty of nudity. Fun for the whole family!

I’m sure this show is wildly inaccurate historically but for fans of Rome, The Tudors and The Borgias, you could do much worse. I’m going to give it a couple more episodes but I have a feeling I’ll eventually lose interest in this one.

Hannibal is my pick for best new show, although it is definitely not for the faint hearted. The series is based on Thomas Harris’ book Red Dragon, which has been produced as a feature film twice: Manhunter (1986) and Red Dragon (2002), the latter a prequel to The Silence of the Lambs (1991). Troubled FBI investigator Will Graham, (Hugh Dancy) is sent by his boss Jack Crawford (Laurence Fishburne) for counselling with forensic psychiatrist Dr Hannibal Lecter (Mads Mikkelsen). The two strike up a working relationship, although viewers are well aware that sooner or later, Lecter will become Graham’s greatest adversary.

For a mainstream network show, this is pretty gruesome stuff. Death is depicted explicitly and you might find yourself watching through your fingers. Despite the gore, the most compelling component of Hannibal is the characters. Graham and Lecter make a great team, and it will be interesting to see just how long the producers can draw the story arc out before the inevitable climax. Suggestions of Lecter’s culinary preferences are made in this first episode, although methinks this may be a red herring. Dancy and Mikkelsen are both excellent, with the latter wisely avoiding any attempt to impersonate Anthony Hopkins’ chilling portrayal of Hannibal the cannibal.

Defiance airs on SCI FI Thursdays at 9:30pm.

Da Vinci’s Demons airs on FX Tuesdays at 7:30pm.

Hannibal airs on Prime Wednesdays at 9:45pm.

Published in: on April 27, 2013 at 17:41  Leave a Comment  
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B Movie Buffet

This column was originally published in the Central Western Daily on Tuesday 16th April 2013.

Every so often I feel compelled to visit my local non-specific video store and take advantage of a special offer in order to bring you my B Movie Buffet. The popcorn is ready and the sneeze guard has been removed. Let me watch the dross so that you don’t have to.

First up in this cavalcade of clunkers is Silent Hill: Revelation 3D, a sequel to the 2006 original which was based on the Konami video game. Starring unknown Australian actress Adelaide Clemens, the film also features appearances from returning stars of the original, Sean Bean, Radha Mitchell and Deborah Kara Unger. Ah, the power of contractual obligation. The movie impressively adopts the nightmarish imagery of its source material. Abandoned hospitals, bizarre creatures, faceless scalpel wielding nurses…they’re all here. Just like the video game, the film also has no discernible plot whatsoever. The filmmakers really need to look up the meaning of “revelation” in the dictionary.

WWE Superstar Mike “The Miz” Mizanin stars as the third incarnation of the titular character in The Marine: Homefront, a direct-to-DVD entry in the franchise from WWE Studios. This reasonably new production company was established to showcase the acting talents of WWE wrestlers. Insert laughter here. In the prologue, the film explains that US marines are trained to deal with any situation. After watching this unintentionally hilarious film, this obviously includes saving your sister from terrorists embarking on the dumbest scheme ever with flaws and assumptions big enough to drive a tank through.

Next up on the conveyer belt of cheese is Red Dawn. A remake of the 1984 original which starred the late Patrick Swayze, this teen action flick was actually made in 2009 but delayed due to MGM’s financial problems. Prior to the film’s release last year, the remake’s villains were changed from a Chinese invading force to North Korean. There’s a lot of money to be made at the box office in China compared to North Korea, you see. Aussies Chris Hemsworth and Isabel Lucas lead up the Wolverines, a rebel fighting force formed by some good looking teens who manage to escape the initial invasion. In a ridiculous training montage, Hemsworth transforms the rag tag group into a tight military unit in a single day. Plot holes abound. How do the North Korean soldiers parachute into Spokane and then suddenly have tanks and jeeps? How do the Wolverines infiltrate the city to carry out their missions when everyone else appears to be locked down? Why do I care? My verdict: Tomorrow When the Bore Began.

Last up is the pick of the litter, although that’s not saying much. Here Comes the Boom stars Kevin James of The King of Queens fame. He plays a biology teacher who becomes an MMA fighter in order to raise funds to save his school’s music program, run by The Fonz. There are a few laughs to be had, and I must admit to rather enjoy seeing James, an incredibly annoying comic, get punched and kicked in the head. A predictable ending leaves a saccharine taste in the mouth, and it’s no surprise that this lightweight sports comedy comes from Happy Madison Productions, Adam Sandler’s production company.

Concert Review: Paul Simon Live – 2 April 2013 Sydney Entertainment Centre

This column was originally published in the Central Western Daily on Tuesday 9th April 2013.

Many, many moons ago, for my twelfth birthday party, I compiled a wish list of cassettes that I wanted to receive from my family and schoolmates. For the uninitiated, cassettes were the precursor to compact discs and had a tendency to melt in the car on hot days in summer. They were also much harder to use as drink coasters.

My list was varied and contained just as many albums that would be considered classics as embarrassments. For every Crowded House debut album, there was a Rick Astley disaster. For every Kick by INXS, there was a Tiffany album. As always, I will deny owning these terrible albums if asked (I’m still talking to you, Doug, the newspaper guy).

One cassette I loved from the moment I pressed play was Graceland by Paul Simon. My gateway track was the hit single You Can Call Me Al, which featured a music video starring Chevy Chase, back when he was funny (he later became funny again in the hit comedy series Community but sadly left the show last year, which for fans like me wasn’t funny).

Graceland was the amalgam of Simon’s pop and folk roots and his discovery of South African music. Every track is a gem and the album, which celebrated its 25th anniversary last year, is still on regular rotation in my home and car (on CD even).

So it was with great excitement that I witnessed a 70 year old Paul Simon in concert at the soon-to-be-demolished Sydney Entertainment Centre last Tuesday night. I missed his support act, Rufus Wainwright, but heard some audience members giving him scathing reviews in the foyer, so I may have dodged a bullet there.

Opening with the Graceland classic, Gumboots, it was clear that the capacity crowd were in for a musical treat. Simon’s eight piece multi-instrumentalist backing band was absolutely remarkable and recreated the sound of the Graceland tracks, in particular, flawlessly.

In his awkward introductory speech, Simon announced that he wanted to play an upbeat set, which was fine by me as I had just driven for three and a half hours from work and had the same journey ahead of me immediately after the concert. Hit after hit followed in rapid succession: 50 Ways to Leave Your Lover, Me and Julio Down by the Schoolyard, The Obvious Child. Unfortunately, the overzealous security folk kept those wanting to dance in their assigned places, however, with a largely baby boomer audience, arthritis may have also been responsible for everyone else staying comfortably seated.

Simon performed six Graceland tracks during the show, including You Can Call Me Al, as well as songs from his earlier solo work right up to his new album, 2011’s So Beautiful or So What. He also performed some covers including a beautiful version of George Harrison’s Here Comes the Sun.

Returning for his third encore, Simon announced that he felt like playing some Simon and Garfunkel tracks and sent us all home after two hours of pure musical bliss with joyful renditions of America, Homeward Bound and The Boxer. I might have shed a tear or two during the final track. I said “might have”, Doug.

Published in: on April 9, 2013 at 18:42  Leave a Comment  
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Bad Movie Choices for Dating

This column was originally published in the Central Western Daily on Tuesday 2nd April 2013.

It’s strange how we regularly choose the cinema as a social experience. What’s social about sitting in a darkened room where it is impolite to make conversation? I suppose having that shared experience to discuss afterwards makes all the difference. What did we like about the film? What did we dislike about it?

I quite like going to the cinema alone. One of my favourite film experiences was watching Wolf Creek as the only person in the cinema. My backpacking days came quickly to an end after that one.

Selecting the right film is always a dilemma, especially when trying to impress someone of the opposite sex. As a cinefile, I appreciate all types of films, but there are clearly terrible choices which can turn date night into Fright Night. Here are some of my biggest mistakes. In the interests of protecting the innocent, I won’t name names and if ever asked about this, I will deny that it ever happened (this means you, Doug the newspaper guy).

So the year is 2000. You’ve asked a girl on a first date. You’re at the box office and you suggest that an Aussie film would be a great choice. Eric Bana is that funny guy from TV. His film debut should be hilarious, right? Wrong. About twenty minutes into Andrew Dominik’s Chopper, Bana’s titular character has been stabbed in the gut. There is blood everywhere. I look across to my date. She’s looking down. Wait, she’s not looking away from the visceral violence on the screen. She’s not looking anywhere. She’s passed out.

Trust me, assisting a faint, clammy girl out of the cinema is not a great start for a date. It is, however, a pretty definitive ending. I did go back later and see the rest of the film. It’s brilliant.

Jumping backwards in time almost a decade, I asked the smartest girl at school on a date to a Saturday afternoon matinee. How quaint! The year is 1991 and in hindsight, there was an amazing array of superb films on offer: Cape Fear, JFK, Terminator 2: Judgment Day, The Silence of the Lambs. Which film did I actually choose? Suburban Commando, starring Hulk Hogan, of course. This cinematic abomination is neither funny nor dramatic. As an actor, the Hulkster is a fantastic wrestler. Whilst remaining friends throughout school, we never spoke of this date again (Girl X and I, not Hulk Hogan and I).

My final embarrassment came during my university years. I frequented the Sydney Film Festival every year and was keen to share my film discoveries with anyone who would listen. I asked a girl to see a film that I was keen to champion, an underrated Aussie gem starring Jack Thompson and a young actor named Russell Crowe.

It was only when the lights darkened and I was thinking about trying the Yawn and Stretch Technique™ that I remembered that The Sum of Us was a tale about a father and son coming to terms with the son’s homosexuality. Although by definition a romantic-comedy, and still a film I recommend, this selection was not necessarily in line with the message I was trying to send. That date ended with a handshake. Enough said.

Trust me, choosing the right film is vital to romance. Learn from my mistakes. I’ll leave you with one last rule, which I learned the hard way. It goes like this. Don’t drop a mega-sized Coke on your date at the beginning of The Lord of the Rings: The Fellowship of the Ring and insist on staying for the rest of the film.

ShamWow! The Movie

This column was originally published in the Central Western Daily on Tuesday 26th March 2013.

The problem with film reviewing is that I have to watch the good and the bad. For every magnificent Paul Thomas Anderson masterpiece, there’s a Paul W. S. Anderson schlockfest. One of my goals for the year is to watch the American Film Institute Top 100 in order, starting from the bottom of the list. I’ve seen 39 already but will rewatch them all on my way to Citizen Kane.

This week I experienced a film that most definitely belongs on the other end of the scale. In fact, I am pretty sure that I can declare this The Worst Film I Have Ever Seen™. Worst (or best) of all, it’s directed by the “ShamWow!” Guy.

Most people would know Vince Offer as the infomercial pitchman for such vital household products as “ShamWow!”, Slap Chop and Schticky. What you probably don’t know is that, despite selling millions of absorbent towels, Vince considers his pitchman job as a side project. His true calling is comedy filmmaking.

The Underground Comedy Movie was released straight to DVD in 1999, and is directed by and stars Offer. The movie employs a sketch comedy format, and according to the DVD jacket, “follows the hilarious tradition of The Kentucky Fried Movie.” Hmm, let’s see. The latter was helmed by John Landis (The Blues Brothers, Animal House, An American Werewolf in London) and is a hilarious fast paced comedy from 1980, with a plethora of guest stars. The Underground Comedy Movie is unfunny, overlong and tasteless, with three or four Z grade cameos, directed by a hack.

So besides sharing a sketch comedy format that replicates someone changing channels on a TV, Offer’s film debut is not even in the same league.  Unless also being released on a DVD in a plastic box is considered following tradition. In that case, you could say that The Underground Comedy Movie also follows in the tradition of Gone with the Wind.

I think there would be a reasonable case for false advertising. There is no comedy in this film. In fact, the DVDs were probably only manufactured in a factory that handles and processes comedy. The underground part of the title is best used as a direction for use before you watch it.

How do these sketches grab you? A Batman parody featuring a man dressed in a baseball uniform, carrying a baseball bat… Two supermodels going to the toilet… A superhero character with a head that resembles genitalia… A hip hop talk show with a guest from the KKK… I can hear you chortling from my typewriter.

How about The Miss America Bag Lady Pageant, featuring a cameo from Guns N’ Roses’ Slash? Or the late Michael Clark Duncan in a sleazy bar resisting advances because he wants to save himself for the right man? The hilarity never stops. It never starts either.

I honestly did not laugh once. I will only confess to a single titter during a rather aged Baywatch parody where the camera keeps getting distracted by girls in bikinis, ignoring the lifeguards dramatically rescuing people.

The Underground Comedy Movie is just awful. Luckily, its R18+ classification should keep away its intended audience until they are old enough to know better than to waste 90 minutes and $5 on this junk.

I want my time back. I want my money back. And I want a Schticky.

Published in: on March 26, 2013 at 19:15  Comments (1)  
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Film Review – The Incredible Burt Wonderstone

This column was originally published in the Central Western Daily on Tuesday 19th March 2013.

I’ve always been a little dubious when it comes to movie titles that consist of a character’s name. For every Erin Brockovich there’s a Deuce Bigalow: Male Gigolo. For every Michael Clayton, there’s a Mr Deeds.

Blame Adam Sandler. He certainly cornered the market on this, starting with Billy Madison, his finest comedic turn in my opinion, and then Happy Madison. It’s all downhill from there but that’s another column.

And so it was with a little trepidation that I experienced The Incredible Burt Wonderstone. Steve Carell stars as the titular Las Vegas magician whose act has became stale. A split with his long time stage partner, Anton Marvelton (Steve Buscemi) and the growing popularity of newcomer street magician Steve Gray (Jim Carrey) forces Wonderstone out of his luxurious casino apartment and onto the streets. With the help of veteran magician Rance Halloway (Alan Arkin), the man who inspired him to become an illusionist, Wonderstone must rediscover his roots to win back his place onstage at Ballys.

Carell is a gifted comedic actor but I’ve never been convinced that he can carry a film on his own. Smartly, he surrounds himself with a fantastic supporting cast. Most recently seen in the brilliant HBO series Boardwalk Empire as Enoch “Nucky” Thompson, Steve Buscemi reminds us that he can do comedy too with a scene stealing turn as Wonderstone’s naive offsider. Alan Arkin is one of the best character actors working today and shines as a disgruntled retired magician. And Jim Carrey is all abs and tattoos as the sinewy unhinged Steve Gray, a thinly veiled clone of street magician Criss Angel.

But the true stars of this movie are the crazy wigs. Carell, Carey and Buscemi are regularly upstaged by their Copperfield-tastic rugs.

Screenwriters Jonathan Goldstein and John Francis Daley also penned Horrible Bosses, a comedy with a nasty streak that starred Jason Bateman and Kevin Spacey. This time, they hold back on the black humour in favour of sight gags and slapstick.

Director Don Scardino is a veteran TV comedy director best known for his work on 30 Rock, and handles proceedings with a solid but unremarkable style.

The Incredible Burt Wonderstone has enough gags to keep you tittering throughout its 100 minute running time. Unfortunately, most of them are featured in the trailer. The best laugh of the film comes right at the end of the film. I won’t spoil it except to say that it is worth the wait.

You could do worse than this flick for your hard earned movie dollars. I just don’t think we’ll be talking about it in a few years. The Incredible Burt Wonderstone is a solid but unremarkable comedy. Only time will tell if it will be remembered as a successful movie named after its lead character.

Film Review: Oz the Great and Powerful

This review was originally published on The Orange Post on Sunday 17th March 2013.

What happens when you take a well known filmmaker with a distinct visual style and a back catalogue of cult and popular hits, and run them through the Disney corporate movie machine? There are two answers to this question: Tim Burton’s Alice in Wonderland and now Sam Raimi’s Oz the Great and Powerful.

Burton’s 2010 blockbuster was a bland CGI heavy 3D mess that dispensed with character in favour of spectacle. Unfortunately, Oz suffers the same fate. Responsible for three of my favourite films of all time, the Evil Dead trilogy, Raimi’s trademark fast paced style and wry humour is crushed by the Disney steamroller leaving behind a pretty screensaver and little else.

With the rights to The Wizard of Oz, including all of the elements introduced in the 1939 MGM film which did not originate in L. Frank Baum’s book, held by Warner Bros., art director Robert Stromberg was forced to redesign the Land of Oz for this unofficial prequel. Thus, there are no ruby slippers, the yellow brick road in Munchkinland has a different swirl and even the Wicked Witch’s green skin tone is slightly (but legally) different.

These limitations, coupled with a reliance on CGI, results in landscapes which appear to have been lifted straight from last year’s Journey 2: The Mysterious Island, another ho-hum green screen adventure.

As the titular Oz, James Franco is out of his depth. Smiling is not the same as emoting and I wonder what the earlier casting choices of Johnny Depp and Robert Downey Jnr. would have brought to the film. Oz is a complex character who treats people badly at the beginning of the film, but then begins to see the value of friendship and love. Unfortunately, all of this character development is undermined by the audience’s knowledge that he will bugger off in the balloon at the first opportunity in the next film.

Rachel Weisz and Mila Kunis are serviceable as witchy sisters Evanora and Theodora. Michelle Williams fares better as Glinda, a role that requires her to do little else but look pretty and speak in a breathy style. Zach Braff appears in the beginning as Oz’s offsider Frank and then voices the CGI monkey bellhop Finley. A little Zach Braff goes a long way so don’t be surprised if you feel like reaching out and trying to strangle the 3D monkey by the end of the film.

The theme of duality which worked well in the MGM original makes little to no sense in this prequel. Beginning in black and white and a 4:3 aspect ratio, Raimi’s film then transitions to colour, 2:35:1 widescreen and stereo sound upon arrival in Oz. Several actors make cameos in the black and white segment, and then reappear as different characters in Oz. There seems to be no explanation for this. No-one is clicking their heels and going back to Kansas at the end of the film.

Remarkably, Raimi cannibalises from his own work, with a graveyard sequence and mechanical line of soldiers distracting the enemy ripped directly from Army of Darkness.

In 2009’s Drag Me to Hell, Raimi showed he was capable of finding his mojo again after a creative disappointment with Spider-Man 3. Let’s just hope he does something truly great and powerful after the disappointment that is Oz the Great and Powerful.

Crowdfunding Conundrum

richard-cheese

This column was originally published in the Central Western Daily on Tuesday 12th March 2013.

In my very first column for the Central Western Daily way back in 2009, I discussed my interest in microloans via kiva.org. This fantastic non-profit organisation allows investors worldwide to collectively loan small amounts of money to entrepreneurs. No interest is charged by Kiva and when the loan is repaid, investors may reinvest their $25 share in another project.

Since then, this model of collective finance has become popular and is now known as crowdfunding. There are many different platforms for investors and entrepreneurs but the emphasis has shifted away from loans towards investment and incentives.

Music fans can purchase “parts” in musicians and bands through sellaband.com and receive limited edition CDs should enough investors pledge to fund a new project, usually an album. Kickstarter.com, pozible.com and indiegogo.com allow punters to invest in creative and technological projects in exchange for incentives.

There are literally thousands of projects available, from short films and theatre productions to books and inventions, each with its own range of incentives and offers. For a dollar or so, you might get a thank you acknowledgement online. For $20 – $50, you may receive a DVD, CD or t-shirt. For $1000 or more, you may receive an executive producer credit on a film, or a private gig with your chosen band.

Like all investments, there is an inherent risk. There have been reports of some entrepreneurs disappearing after funding has been released as well as complaints about extended delays with fulfilment of incentives.

One of the many success stories of crowdfunding has been lounge singer Richard Cheese, portrayed by Mark Jonathan Davis. With cheeky album titles such as I’d Like a Virgin, Aperitif for Destruction, Tuxicity and Lounge Against the Machine, Cheese has developed a cult following for his swinging arrangements of popular hits.

To date, two new Richard Cheese albums and a biography have been crowdfunded via kickstarter.com.  With a busy tour schedule, online merchandise store and worldwide fanbase, I assumed RC could be considered a successful independent musical act, so I was surprised to receive an email inviting me to participate in another Richard Cheese crowdfunding project, corneal transplant surgery.

Cheese is seeking $19500 to help fund the surgery on his left eye. Cursed with congenital eye problems since birth, RC has been unable to get health insurance and had been saving towards the vision restoring operation until two unplanned abdominal surgeries over the past year wiped out his finances. With failing vision, it has become almost impossible to tour and music piracy has decreased his income from record sales.

After pledging $35 towards RC’s operation in exchange for a signed photo, I went for a quick scout around indigogo.com and found over 1000 different health related projects seeking funding, from assisting a stroke victim to return to work, to a couple wanting financial help to adopt twins.

I was floored.

A week later, I still have mixed feelings about crowdfunding shifting into the realms of health. Firstly, it’s a sad indictment of the American health system and I’m really glad I live in a country with Medicare. However, I’m impressed by the ingenuity of Richard Cheese and others to seek alternate means to improve their health. On the other hand, I’m concerned about the lack of fairness in an open market where the flashiest project may get more attention than others, which may be just as worthy. What do you do if you don’t have CDs and autographed photos to give away?

Anyway, whilst pondering the pros and cons of health crowdfunding, please visit indiegogo.com and send a few bucks towards my (or your new) favourite lounge singer, Richard Cheese.

Help Richard Cheese now

Walking with The Walking Dead

Walking Dead Promo

This column was originally published in the Central Western Daily on Tuesday 5th March 2013.

To celebrate the return of post-apocalyptic zombie drama The Walking Dead to Australian pay TV, series star Norman Reedus made a promotional trip in January to our shores. Besides a sold out Q & A session after a screening in Sydney as part of the ever popular Popcorn Taxi events (which I couldn’t attend), he also shot a live action promo for FX, the home of The Walking Dead.

To help populate the commercial, FX took to social media inviting fans to volunteer as extras by sending in a headshot. My dashing good looks must have served me well (or perhaps my resemblance to a rotting zombie), because I received an invitation to the shoot which took place in a studio in Alexandria on the Australia Day public holiday.

To be transformed into a zombie is every fanboy’s dream, however, it seemed that my wish wouldn’t be coming true this time around. Firstly, I was well aware that the actors portraying the reanimated dead for the actual show attend zombie school. Secondly, we were asked to bring along travelling clothes and a suitcase for the shoot which was to take place in an “airport” setting.

Upon arrival on set, my predictions were confirmed. The studio was set up as an arrivals terminal, complete with metal detectors and baggage scanners. There was little activity in the makeup room. Alas, this promo for The Walking Dead would be minus any walking dead.

I had done a little extra work when I was a teen. The novelty of being on a film set wore off pretty quickly and there was a lot of waiting around. I can report that not much has changed in the twenty years or more since I roamed the halls of Summer Bay High. It was, however, pretty fun to chat to other The Walking Dead fans and eat as much junk food as possible from the craft services table.

Pretty soon I was put to work walking through the airport set, wheelie bag dragging behind me, until they called for a cut. We’d then wander back to our “first positions” and do it all again. And again. And again.

Things became more interesting with the arrival of our guest star. Reedus plays fan favourite character Daryl Dixon, a Southern redneck with a penchant for killing zombies with his signature crossbow. Reedus is also known for co-starring in The Boondock Saints, a cult action flick infamous for its troubled production under first time director Troy Duffy.

The good news is that Reedus was a gentleman. Softly spoken, he was keen to interact with the fans between takes, joking (I hope) that he had very little idea about the storyline of the commercial. Although we weren’t allowed individual photos with him, we all had a group shot with the guest star and on my way out after the recording concluded he shook my hand at the door. I also took home a signed poster and a pretty awesome zombie t-shirt for my troubles.

I did get into a little trouble for posting a sneaky photo of Reedus on twitter during the shoot. I thought that was somewhat ironic considering that FX acquired their extras for free via social media. I took down my post and reposted it after I received my goodie bag. Heh heh.

The promo premiered in February and I am proud to say that you can see me (well, at least three quarters of my face) about 18 seconds into the commercial. Apply for my autograph care of the Central Western Daily.

Published in: on March 5, 2013 at 19:09  Leave a Comment  
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