BBC Listener iPhone App

This column was originally published in the Central Western Daily on Tuesday 28th September 2010.

The already competitive radio market in Australia just got a little tighter this week with the launch of the BBC Listener App for the iPhone. Whilst much of the BBC’s radio content has been readily available via podcast or live internet streaming, the Listener represents an increased accessibility to overseas programming which should make local broadcasters a little nervous.

The BBC Listener is available free via iTunes. The App includes a 30 day complementary trial, and following this, the monthly subscription rate is $3.99.

With the Listener, over four hundred archived programs are available for live streaming via WiFi, with more than twenty new shows added weekly. Programs can also be saved to be played on the run.

Unfortunately, the content is definitely not youth orientated at this stage, with almost all of the audio being magazine, discussion or documentary programming. Most shows run between thirty and sixty minutes, and have been sourced from the part-talk, part-music Radio 2 and the all-talk Radio 4.

That’s not to say that the BBC Listener is just for those old enough to be thinking about getting funeral insurance. There are a few gems for the non-baby boomers. My favourite is Desert Island Discs.

The second longest running radio program in history, Desert Island Discs was first broadcast in 1942. The premise is simple. A celebrity is asked which six pieces of music they would bring with them if they were to be stranded alone on an island. They are also allowed to bring a book and one luxury item. And no, a raft is not allowed.

The celebrity explains why the pieces of music are meaningful to them, and in the process, reveals much about what makes them tick. This week’s castaway is Jerry Springer. For the record, one of his favourite songs is Wind Beneath My Wings, his book selection is a family photo album and his luxury item is a cheeseburger machine, whatever that is.

The best thing about BBC programming is the absence of advertising, and just like podcasts, the ability to listen to what you want when you want is always appealing.

Those after more contemporary BBC music and pop culture shows will need to continue downloading podcasts and listening to live streaming for now, although I’m sure the Listener will eventually offer these shows too.

If you are over thirty and prefer to hear more talk than music, the BBC Listener is a great iPhone App. It will soon also be available for other smart phones. With almost all of the BBC’s radio content available for free online, the $3.99 monthly subscription fee may seem a little steep but for easy access to an almost unlimited array of informative and entertaining audio programs, the BBC Listener is probably good value for the non-techno savvy.

Published in: on September 30, 2010 at 07:30  Leave a Comment  
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Film Review: The Last Airbender

This column was originally published in the Central Western Daily on Tuesday 21st September 2010.

The ever expanding array of 3D movies due for release in the near future indicates that this cinematic gimmick is here to stay. The fact that 3D cinema cannot be pirated and the potential for future profits from emerging home 3D blu-ray and TV technology means that the major Hollywood studios are insisting that almost all future tent pole releases be available in 3D.

What has become clear though, is that the presence of “3D” tacked on to the end of a movie’s title is in no way a symbol of quality. And there is no better example of this than last week’s release of “The Last Airbender”, quite possibly the worst film of the year so far.

Based on the successful animated series “Avatar: The Last Airbender” which ran originally from 2005 – 2008 on US children’s cable channel Nickelodeon, the film is a mishmash of Asian mythology, martial arts and elemental manipulation. In the hands of writer and director, M. Night Shyamalan, The Last Airbender is a humourless yawnfest featuring terrible dialogue, bland performances and horrible 3D rendering.

Showing major potential with his first two features, it now appears Mr Shyamalan fluked the modern masterpieces that were The Sixth Sense (1999) and Unbreakable (2000). The shocking twist ending of the former with its famous catchphrase, “I see dead people” and the thrilling comic book plotline of the latter made M. Night a director and more importantly, a storyteller, to watch.

Unfortunately, it was all downhill from there as the director went back to the “final storyline twist” well a few too many times with Signs (2002 – I see aliens), The Village (2004 – it was all an experiment), Lady in the Water (2006 – water nymphs live in my pool filter) and The Happening (2008 – the wind did it). With his creative powers waning, The Last Airbender (Avatar has been removed from the title due to a similarly named, moderately successful film from last year) has no plot twist. Whilst the absence of a twist may well be a twist for M. Night, I would suggest that there is no plot twist because there is barely a plot.

Try bending your brain around this. There are four nations: the Fire Nation; the Water Tribes; the Air Nomads and the Earth Kingdoms. Each has members who can control or “bend” fire, water, air or earth. Only a long missing, reincarnated Dalai Lama-like being, The Avatar, can control all four elements and bring peace to the world. Sure.

To make matters worse, this storyline is leaden with clumsy dialogue clunkers such as, “Sokka, I want to believe in our beliefs just like the Firebenders believe in their beliefs.” Sorry, come again?

There has been much outrage online as nerds worldwide protest the lack of Asian actors at the forefront of this Asian mythology-based film. This wasn’t really an issue for me. Authenticity is hardly a problem when it comes to a movie featuring giant fluffy flying dogs and the yin yang spirits swimming around as large glowing koi carp.

On a positive note, the special effects of The Last Airbender are quite stunning with exciting flame and ice battles, and the casting of Slumdog Millionaire star Dev Patel a good choice.

Unfortunately, the 3D effects of the movie are simply terrible. Like Clash of the Titans, this film has been rendered into 3D post-production to cash in on the craze. With the exception of a few effective landscape scenes, the rest of the film looks remarkably 2D, with characters simply cut out and moved forward within the picture but remaining flat, much like a pop-up book.

 Unlike Clash of the Titans, which was a much better film in 2D, The Last Airbender is too flawed to improve once on DVD or 2D blu-ray. Its cliff hanger ending indicates that another 2 sequels are on their way, although this is dependent on the movie turning a profit on its US$280 million production and marketing budget.

As a member of The Golden Raspberry Foundation, I am pretty certain that The Last Airbender will get my vote for Worst Film of the Year. I’m sorry, but M. Night Shyamalamadingdong has struck out on this one. I see dumb cinema.

Published in: on September 30, 2010 at 07:27  Leave a Comment  
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Junior Masterchef: kids in the kitchen

This column was originally published in the Central Western Daily on Tuesday 14th September.

Sunday night saw the debut of Junior Masterchef, a retread of the successful Masterchef format, but this time with kids. I must admit to becoming addicted to the original series. Whilst I have never really enjoyed cooking programs, there was something special about the show that really hooked me in.

I guess we all have to eat, so watching delicious and beautifully presented food being prepared and served is something we can all appreciate. However, I think it was the human drama that really attracted me. Witnessing regular folk undertake and (mostly) overcome challenges had real appeal. And the art of cooking is something that we all can improve on in some way, so it is something that is easy to relate to, unlike shows such as Survivor which sees the contestants face ridiculous tasks and challenges.

I must admit though, I avoided the second season of Masterchef. I just wasn’t prepared to commit to six nights a week of viewing for months on end. That was going to require far more dedication than I was prepared to give (again). Of course, that would be a different story if we were talking about whacky Japanese game shows or wrestling.

The first episode of Junior Masterchef saw a bunch of kids cook up an array of totally amazing dishes. The quality of the cooking was surprising but what totally shocked me was how confident and ambitious these young people were. I am sure that kids weren’t like this when I was growing up.

Back in the eighties, when I was the same age as the Masterchef kids, I certainly didn’t have any plans to open up my own restaurant as soon as I turned eighteen. In fact, I had no idea what I wanted to be when I got older. Actually, I did, I wanted to be Batman.

There’s also no way that I would’ve been able to sit in front of a camera and speak as eloquently about food as the aspiring kiddie cooks did.  I’m almost certain that if placed in a similar situation, my twelve year old self would’ve scratched himself and mumbled something about liking Space Food Sticks.

I’m also sure kids weren’t as self-assured back then. In fact, the only super confident kids I knew were the school bully and the Young Talent Team (and they were robots).

At the age of twelve, my cooking abilities extended to grilling fish fingers and heating up frozen pizzas in the oven. I barely knew how to make two minute noodles in four minutes. And let’s not mention the time I put the frozen pizza, complete with plastic tray, in the oven for twenty minutes.

The Junior Masterchef kitchen was set in the same warehouse-like concrete and steel cavern as previous series. The main difference was that the cooking stations were tiny, as if the kitchen renovations were done by Fisher Price. The kids were also given red plastic knives instead of metal ones.  Whilst it was probably a wise idea to give the kids safe sharps, did they forget about the hot ovens, frying oil and boiling water?

Junior Masterchef airs once a week so will be ideal for those of us that think a little cravat goes a long way. Hearing the words “caramelise” and “reduction” each week will give me a sense of comfort, even if I have no idea what they mean. The kids will probably become less cute and more annoying over the season, but I guess there will be lots of gorgeous food to ogle.

Although you probably shouldn’t be allowed to make a crockenbush unless you can spell it and be taller than one, I’m sure plenty of us will get hooked by Junior Masterchef.

Published in: on September 14, 2010 at 09:17  Leave a Comment  
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New Aussie Drama: Cops LAC SUX

This column was originally published in the Central Western Daily on Tuesday 9th September 2010.

In the same week that it was announced that perennial Australian soap, Neighbours, will be shafted across to new digital station, Eleven, next year, a plethora of new home grown drama has premiered on the idiot box. Cops L.A.C. (Local Area Command) is the latest in a long line of local police dramas, the first of which was Homicide which premiered in 1964, almost ten years after the introduction of television in Australia.

A starring vehicle for Kate Ritchie, most recently coming off a stint in radio with Merrick and Rosso, and prior to that, a short run on soapie Home and Away, the new series debuted last week to over 1 million viewers. Supported by the who’s who of Aussie acting veterans, such as Gary Sweet, Roy Billing and Denise Roberts, and a few new faces, Kate is miscast as Detective Senior Constable Samantha Cooper. Sorry Kate, I just can’t buy you as a hard-nosed cop. You’re just too nice, or wooden, or both. If she approached me with a gun and handcuffs, I think I’d give her a hug rather than running away.

The rest of the cast get an assortment of stereotypes to play. Gary Sweet plays the abrasive and cocky superintendent with a heart of gold. Denise Roberts portrays the hard working, no-nonsense inspector. A female head of detectives no less. Roy Billing gets the veteran old school cop, just three months from retirement. I bet his character dies sacrificing himself heroically just minutes before the end of his last shift. All we need is Colonel Mustard in the library with the candle stick and we’ll have the full set of standard police show characters.

The premiere episode centred on the first day on the job for rookie cops Priscilla and Daniel, whilst team Milko investigates a car accident that may be (yawn) a murder! Within minutes of starting in the morning, Daniel gets a milkshake thrown over him and at the end of the episode, which takes place that evening, he is still wearing his soiled uniform. I know the L.A.C. is under-funded but surely they have spare uniforms? 

The killer ends up being the first and least likely suspect, who in TV storytelling terms is actually the most likely suspect. Oh, and smug Detective Llewellyn, played by Martin Dingle Wall, hangs rookie Priscilla’s cap from the roof to teach her a lesson for forgetting it. What tension and drama! If I want to watch a show called Cops, it better be the one with the reggae theme tune and foul mouthed Americans getting arrested with blurry faces.

My verdict: Cops S.U.X.

Spirited debuted two weeks ago on pay TV station “W”. An eight part dramedy from the producers of Love My Way, Spirited stars Claudia Karvan as Suzy Darling, a dentist who leaves her arrogant husband (Rodger Corser from Channel Ten cop drama Rush) to move into a city apartment with her kids. In the apartment she encounters Henry Mallet (Matt King) who may just be the ghost of a pommy rock star. Only appearing to her, Henry and Suzy develop a friendship that might just lead to romance, but can love develop between our world and the spirit realm? Thousand of Michael Jackson fans say yes.

With a set of appealing lead actors, Spirited has a light feel to it that is a refreshing change from the standard teen soap or overacted police drama. Eight episodes is probably enough to sustain viewer interest with its high concept storyline which could go stale over more episodes. It may be a little too reminiscent of The Ghost and Mrs Muir but Spirited is worth a look.

My verdict: Spirited is ghostly good fun.

Offspring also premiered in Channel Ten last month. I’m yet to watch an episode but it looks like a quirky comedy drama about relationships and family. Hmm, that sounds original. Packed to the Rafters in Melbourne, anyone?

Published in: on September 7, 2010 at 13:00  Leave a Comment  
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